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It may be the hope of all who have ever put pen to paper that they might be able to write on a full-time basis. The romantic notion of a writer’s life is compelling enough to many to find them seeking ways to make a living by crafting the written word.

David Boles is the publisher and Editor-in-Chief of Go Inside Magazine. Boles indicates his day starts at 8:00 a.m. and he rarely finishes writing until midnight. Boles has additional words of wisdom for new writers.

1. You will not get rich overnight

Some of Boles’ advice runs counter to the idealistic notion of what a writer’s life is supposed to be, “The best thing you can do to prepare yourself for the life of a writer is to make certain you have a steady form of income that will cover your monthly nut.”

2. Creativity may be overrated

Boles also indicates creativity is less about devising something altogether new and more about a willingness to find new ingredients for an old recipe, “There’s nothing new in the world and good writing is simply reinventing what has come before you in a new and delightful way.”

3. Muse cooperation is not optional

While many writers feel that creative inspiration is required if you are to write anything of meaning, Boles has a more pragmatic approach to writing, “Making yourself sit down and create is more important than the desire to write.”

4. An understanding spouse is worth their weight in gold

When you sit in front of your word processor for hours on end it may be difficult for others to see how what you are doing has much meaning, but Boles indicates if you are called to write you should, “Find someone who understands your need to write — for writing is a lonesome life and sharing that isolation with someone who unconditionally accepts your Calling is paramount to protecting your sanity and career.”

5. Writer’s Block

Boles has some very straightforward advice for those who may feel they are experiencing a season of writer’s block, “Write. Just write. There is nothing else.”

It should be clear that the life of a writer is not a pristine existence where creative thoughts are ever-present and publishers are always willing to publish your material. A writer’s life is hard work and rarely filled with instant gratification. However, for those who have experienced the call to write it is difficult to imagine a life lived any other way.

Matt Matcherson is a writer musician and humorist. Sometimes he even writes funny music. His site MatchTales brings dating stories, site reviews and free dating support forums to the web.

One of my first “Big Dates” was a Cotillion dance in 8th grade…or was it seventh? Cotillion was an attempt by a local “grande dame” to nurture refined manners in a group of young teens along with ballroom dancing instruction. I think it was a truly nerve wracking experience for most of us! Once a week we would walk a couple blocks from the middle school to the K of C Hall located on the 3rd floor of a downtown building. A virtual skyscraper in our town! Guys wanting a little money would hang about by the door and help the instructor out of her car …open the door. These kind of brownie points paid a couple bucks cash! If you were really good you would carry some of her stuff up the 3 flights of worn wooden stairs. It was one of those buildings that are mystifyingly old…the major mystery to me being that they haven’t burned down!

We would then partner up and learn the rhumba, the foxtrot, the bossa nova, jitterbug, waltz etc. Every so often we would switch partners and during the session you would dance with each of the 50 girls a couple times. All very open stance and supervised…but still at that age, and for a nerdy guy still in his Clark Kent frames it was something of a thrill.

Jenny (names have been changed to protect the sweet and innocent) was a cute little girl from my neighborhood. She lived about 4 blocks away so I only saw her when I was walking home. Her family had a tree between the sidewalk and street with a trunk that was curved from years of kids passing by and jumping up to hang from it…at least I think I wasn’t the only one! Many days Jenny would be waiting by that tree till I passed by and smile nervously saying “Hi”. I too would say “Hi”. Sometimes I even said it first! But always continuing on my way. God only knows what disasters would have occured if I had stopped to talk any further! But this was earthshaking stuff making my head spin on the rest of my walk home.

Well this brazen flirting continued and the pitch of her “Hi’s” became higher and happier. When it was time to invite someone to the dance I found the number in the phone book and spent an hour or so making myself nervous. One of Jenny’s 300 sisters answered the phone and I heard much yelling for her and thumping up and down stairs…I nearly hung up in fear! This was much worse than when the german shephard down the street was chomping on my leg as I rode past on my bike!

I don’t remember the conversation with Jenny…I may have blacked out. But I know it was successful because weeks later I found myself at her house in a suit in this predicament with an enourmous corsage and no clue of how to pin it to her dress. Thankfully her mother came to the rescue. Her mom still laughs about that when she see’s me.

After that awkward scene things got better. We sat with friends and ate, all joking around. Jenny and I actually remembered the different dances and impressed the leader of the orchestra a little. Music, friends and dancing with a childhood crush. There was nothing more to it than that. Really when compared to some of my more recent dates, it is perfect in comparison.

Writers are very much in demand these days because of the rising demands for their online content. The pay is oftentimes better and the hours are not so long. Many even freelance full-time.

Freelance writing extends to several different categories. Before you begin looking for work, you’ll have to decide whether or not you want to get credit for your writing. If you insist on a byline, you may have difficulty finding a lot of paying jobs. Byline jobs are out there if you look. However, the most money to be made is from working as a web ghostwriter.

There are several different categories of freelance writing. When you see the term “content writing” you will normally be providing text for an existing or new website. Your writing will have to be engaging and clear for website visitors. Article writers concentrate on providing articles for websites, newsletters and blogs. Generally, articles for the web are between 400 and 800 words each. Any more than that is difficult for readers to sit through while looking at a computer screen. Copywriters are challenged with putting readers in the mood to buy. They write copy for Internet sales letters and marketing sites. Ebook ghostwriters provide clients with full-length books on a variety of topics.

Freelance writers need to be professional in their online presence. This means spell-checking all writing, including e-mails to clients. It is also a good idea to get an e-mail address that is specifically used for your writing. A personal e-mail address with a goofy handle will make you appear unprofessional. Your first and last name or a combination thereof is a good choice for your web writing e-mail address.

Writing for the Internet has a few differences from writing essays in school or writing for print magazines. Readers online have short attention spans, and you’ll need to keep your sentences short and your paragraphs clear.

The other difference is the use of “keywords” in certain writing assignments. Keywords are words that have been selected by your client to be used in the article. These words have been selected because they are Internet search terms and your client wants their website to show up for those search terms. Keyword articles will require you to use the word or phrase a certain number of times in the article. Sometimes it can be difficult to use the words without making it sound forced. Experienced web writers have developed ways to make the keywords flow naturally into their articles.

Below are some of the areas and industries where freelance writers are needed. Read on and find the freelance path that is right for you.

MAGAZINES

Freelance writers are frequently hired to contribute articles for magazines. In fact, this is one area where you can actually get regular assignments as a freelance writer especially if clients find your work good. The rate for every article is quite generous especially if it involves interviewing. Some writers even kill two birds with one stone by also taking photographs for the interview. This way, the client also pays for the pictures that accompany your article.

NEWSPAPER CORRESPONDENT

Another area where you can get freelance work is the newspapers, where editors often hire freelance correspondents (sometimes called “stringers”). This is especially true with areas that are outside the city. Newspapers find it cheaper to hire correspondents and pay for their services than to send their own staff writers to cover an event.

ONLINE WRITERS

As mentioned before, online writers are in demand nowadays because writers are needed to update website content. Magazines that maintain their own websites hire freelance writers just to do online content. In fact, not all the write ups you see on the Internet can be found in the magazines and not all articles in the magazines are used for online content.

PR WRITING

Public relations writing is a cost-effective way to advertise products. Because of this, companies hire writers to do their PR write ups for them.

BLOGGING

Blogging is yet another way to make money as a freelance writers. Blogs are an ever-growing form of Internet media. Blog writers generally provide their own content. You can make money as a freelancer by starting your own blog and posting to it daily. If you love to write, you can start several blogs at once and multiply your earnings. Once you become an experienced blogger, you can apply for blogging jobs and post for other people.

GHOSTWRITING

Many freelancers find success with ghostwriting. When you work as a freelance ghostwriter you provide writing services for clients who will then use the work as their own. Ghostwriting is a lucrative opportunity, especially when you focus on web writing. For the most part, the Internet is a text and image based platform. Companies and individuals who run websites constantly need text to make their websites attractive to visitors. Since writing is something that a lot of people would rather not do, this leaves plenty of opportunities for people who love to write.

Once you’ve gotten a few web writing assignments under your belt, you can decide what type of web writing suits you best. You can find work on writing message boards, freelance writing job sites, such as .FreelanceWriting.com, and classified ad sites like Craigslist.org. Whenever you apply for a job, make sure to include your contact information and a few well-selected writing samples.

Today, Norm Goldman, Publisher & Editor of Bookpleasures.com is pleased to have as our guest, Rob Costelloe, author of Coinage of Commitment.

Good day Rob and thanks for participating in our interview.

Norm: When did your passion for writing begin? What keeps you going?

Rob: I wrote earlier in life, including a teeth-cutting first novel, then I abandoned writing altogether. But I continued to study romantic love as a potential source of fulfillment in people’s lives, and I enjoyed studying love stories in books and films. In 2005 I read an otherwise well written novel whose denouement was so suddenly despairing that I felt outrage on behalf of all the women readers who were disappointed by this disjointed outcome. Within twenty-four hours, I started writing Coinage of Commitment.

Norm: Will you share a little bit about Coinage of Commitment with us?

Rob: Sure. Coinage of Commitment offers a different kind of love story, a drama of characters who love at a higher level than what we see all around us. But this is not portrayed as just a case of spontaneous feelings conquering all. Rather, our lovers develop a hunger and capacity for higher love by reflections and experiences they have before and after meeting. The story gives a glimpse into the unique challenges such a pair would face in striving to reach the zenith they seek. The plot does feature a love triangle, so the novel is actually two love stories that culminate dramatically in a surprise ending.

Norm: How did you get the inspiration for this book? Did you have a hard time fleshing out characters initially?

Rob: The inspiration, or at least the creative energy for the project, was driven by this concept of love at a higher level, one requiring a thinking basis as well as an emotional one. Some nonfiction books that offer advice for improving relationships deal with this issue extensively, but fiction has not risen to exploring love that’s anything higher than merely spontaneous emotions.

You asked about character development and, yes, it was difficult. These are not characters who would ever be mistaken for plain vanilla. The male protagonist had to be recast from the first draft to realistically portray the conflict he experiences before the lovers find union.

Norm: How much real-life did you put into your book? Is there much “you” in there?

Rob: My contribution was that I’ve experienced love at a higher level and for a long enough time that I could define its elements from experience and inject them into a story of lovers who have class, financial, and religious differences to overcome, as well as opposition from both families, before they can reach the destination they seek.

Norm: It is said that if you want to write a good story or novel you need to create struggles of powerful descriptive individuals and not just issues. Through their accomplishments and travail, we very much comprehend the issues. How is this applicable to your book?

Rob: I agree with your premise and that’s why I put a lot of effort into refining and, in some cases, redefining the main characters so that the story would center around them more than the plot elements. At the same time, they need to be believable and appealing to readers who want and deserve to be immersed in characters they can relate to. But as you’ve indicated, it is really the setbacks and challenges the characters must resolve that make them all they can be in a story. Watching them struggle onward, never losing that certain air that we ourselves admire, is what makes them memorable to readers.

Norm: What kind of research did you do to write this book? What are your hopes for this book?

Rob: I had to get acquainted with the Penn and Drexel campuses, where the story is set. In a way, the research was more difficult because the story takes place in the late 1960s, and many of the settings I used no longer exist, or have changed. Cavanaugh’s Restaurant, realistically set in the first chapter near 31st and Market in Philly has since moved. The movie theater used in the Chapter seven date scenes was real, and I used it because it was very popular at the time. But it has since been torn down. Recovering its address was quite an adventure. Little things can be challenging: like researching the legal driving age in California in the early sixties.

You asked about my hopes for the book. In a way, Coinage for me was a labor of love, an attempt to give something back for the life I’ve been blessed with. My hope for the book is that it will sell well, that readers will enjoy it, feel enriched and uplifted by it. So far, reader feedback has exceeded my expectations.

Norm: What motivated you to write a book pertaining to romantic love, and what is your definition of romantic love? How does it differ from other kinds of love?

Rob: Believe it or not, one thing that got me started on this journey was a case of bad science. Sometime during the sixties, a widespread notion got established that romantic love did not exist except as a trivial permutation of the sexual impulse. Instead of being viewed as a unique emotional capability that is obviously separate from the sexual impulse, romantic love was derided as this maudlin quirk of the sexual impulse itself that teenagers experience and then grow out of as they mature and grow up.

I kept reading these articles, by Ph.D.s who should have known better, claiming that romantic love was an illusion, produced as an unfortunate byproduct of sexual chemistry, and that the sooner one got over it the sooner one could settle into an “adult” relationship based on calculated mutual benefit and, of course, sex. Yes, this was a kind of underside of the sexual revolution. I grew alarmed that people were lowering their expectations about what romantic love could provide in their lives because of crackpot science. I also watched it affect our literature, as stories featured more sex and a more watered down, primitive sort of love, one based mainly on impulse and sexual attraction. I started writing, partly to contribute what I could in the way of damage control. It was painful to watch the needless harm that was done to millions of emotional lives. And it took another whole generation for science to finally condescend to legitimizing the same romantic love that flourished in the Middle Ages.

You asked about a definition of romantic love. Well, let’s see. Romantic love is that affection between the sexes that augments and usually stimulates the sexual urge. Often an initial sexual upwelling serves as an emotional attractant, and the couple falls in love. It is more volatile than others kinds of love–such as maternal love–and it has been known to change from adoring affection to murderous hate in a matter of minutes (given the right kind of adulterous news). It can burn brighter than any other kind of love, and often does, but it is hard to maintain. The higher love I write about is an attempt to examine how that brighter state might be enhanced and sustained by intellectual and behavioral means, while also giving readers a good story to enjoy.

Norm: I read where Dr. Helen Fisher, author of Why We Love: The Nature and Chemistry of Romantic Love believes that romantic love is a universal human feeling that produces specific chemicals and networks in the brain. Do you agree with Dr. Fisher?

Rob: I agree, but really…how could romantic love not be a universal human feeling? From literature, we’ve known about it since ancient times. The Bible even has a book of poetry dedicated expressly to it. And on top of that, from the Middle Ages through the nineteenth century, a well developed and very feminine-flavored form of romantic love was a feature of Western culture that distinguished it from all others. The Russians ridiculed it during the cold war; the Japanese adopted it as one of the first things they copied from us after World War II. As far as chemicals and networks in the brain are concerned, I am happy to see this kind of quantitative progress. I am especially happy to see the scientific community catching up to reality and verifying a feature of our basic humanity that many of us have long viewed as indisputable.

Norm: Can you tell us how you found representation for your book? Did you pitch it to an agent, or query publishers who would most likely publish this type of book? Any rejections? Did you self-publish?

Rob: I never did come close to landing an agent. The agencies tend to be hidebound conservative, and I was peddling a love story unlike any other. And it is written in a more emotionally vivid style than is currently fashionable. The sales figures tell me that that works well for readers, but the agencies wouldn’t touch it. I went through five hundred rejections in three months until I came across a group of small royalty publishers who have sprung up in the last five years. They do not accept returns, they provide little in the way of promotional help, and they sell mainly through Internet outlets–although their books are carried by the major distributors. Among this group, I ended up with three contract offers. I went with Saga Books because they offered the best contract, and they thought the book good enough to publish it in three months on a fast track basis.

Norm: How have you used the Internet to boost your writing career?

Rob: Without the Internet, the publisher who produced my book would not exist. Many of the watchdog groups that have sprung up to protect writers from shadier elements of the publishing universe are Internet-based. They helped me greatly, and I offer them my thanks, especially Victoria Strauss of Writer Beware. The Internet has helped create an environment closer to a truly free market festival of ideas and expression than we have ever had.

Norm: Is there anything else you wish to add that we have not covered and what is next for Rob Costelloe?

Rob: I will be writing fulltime starting next month. My next project, another love story, is about one-third drafted and should be ready before mid next year.

Thank you for this opportunity to reach out to my readers. This was my first interview as an author, and you made it fun as well as educational.

Norm: Thanks once again and good luck with all of your future endeavors.

A paradigm has been described as “A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them.”

Each writer comes at their work with a certain paradigm at work. Each writer will write with a set of assumptions about the world around them, they will subconsciously include concepts and values they find imperative. In the broadest perspective possible each writer will express their worldview in some form or fashion through what they write. This may not happen in every piece, however when the entire body of work is evaluated carefully it becomes clear what the author truly believes to be true, noble and right.

In the realm of writing this concept is known as Context. This means that the author of any work lodges certain absolutes in virtually all areas of story construction. The story may include the writer’s philosophy of politics or their view of religion.

A strong example of this was The Da Vinci Code by Dan Brown. While the story is fictional, Mr. Brown confirms that he believes much of what he wrote to be true. Many have appreciated the storytelling ability of Dan Brown, but have a hard time accepting the context and assumptions of his work.

As a writer of faith it is quite likely the core values you possess will show up in ways both intentional and unplanned. J.R.R. Tolkien made a point of saying that his faith was not the intended context of his storytelling. Yet, the pages of the Lord of the Rings trilogy were filled with Judeo Christian values and attributions to the power and sacrifice of God which are consistent with his personal faith. I would argue that this fiction writer could not write something that denied his internal paradigm.

Most fiction writers are not trying to proselytize, they simply present a story and in the process their belief system leaks onto the pages. It’s to be expected.

From an historical perspective a look at world event at the time a classic literary work was published can assist us in learning the context of the work and the paradigm of the author.

World events and our personal response are a unique combination that affects the context of our writing. If we are struggling with certain local, region, national or even global issues we will likely find the context of our circumstances coupled with out beliefs will alter our writing and the assumptions we include.

For a serious student of literature an understanding of context can help decode a sense of the angst or joy the author was experiencing when writing their classic.

As a writer you may have ever felt overwhelmed by a blank sensation when trying to write an article. To eliminate the problem you may try to follow the tips in this article. Ok, let’s start it. I don’t want to waste your invaluable time.

First, if you have a collection of private label contents, take a look at them. Try to find an article that covers similar subject with the article you want to write. For example if you want to write an article about badminton you can look for an article about tennis. Both have many similarities. They are games that require racket and net to play. In addition they can be played single or double. Just change the word “tennis” to “badminton” and change any inappropriate words. For example you may have to change the word “tennis ball” to “shuttlecock”.

Another example is if you want to create an article about restaurants in your city you can use an article about restaurants in Kuala Lumpur or New York or any other cities. The key here is the more similarities exist the easier your writing task will be.

What will be easier if you want to create an article about “web writer”, using an article with title “Hire a Web Designer” or “Hire a Broker”? I believe you are agree with me to choose the first one because compared with a broker there are more similarities between a web writer and a web designer. Both of them, a writer and a web designer, normally serve people who are running a business on the internet which means their customers are more likely have similar problems.

In case you can not find an article that cover similar subject like that just open one of your private label articles. There are common titles which can be used for various subjects. Here are some of them:

How To Find …

The Secret To …

The Basics of …

The Benefits of …

Mistakes To Avoid When …

and so on…

Just open one of them no matter whether the subject is related with yours or not.

Now you can alter the article. For example, below is a private label article about cigar:

—– START —–

4 Tips for Lighting a Cigar

For new smokers, lighting a cigar can seem as daunting as learning to choose a good single. Here are four tips to guide you in lighting a cigar for the first time.

—– END —–

If you want to write an article about web hosting you can alter the article above so it becomes:

—– START —–

Several Tips For Finding a Reliable Web Hosting Provider

For beginners, choosing a reliable hosting service can be difficult because there are a huge number of hosting companies with different hosting plans in the market right now. Here are some important factors you should consider in deciding which one to choose.

—– END —–

After you have finished several first sentences like that you should be able to finish your article easily. You can do this method again and again for any subjects. Collecting many private label contents can also be very beneficial to you because besides you will have good quality contents to get the creative juices flowing you will be able to take some sentences from here and there.

Finally although you can just “search and replace” for some words it is advisable to take it a step further in order to make your article really unique. Do not forget also to check your article to make sure it does not contain wrong information.

Today, Norm Goldman, Publisher & Editor of Bookpleasures.com is pleased to have as our guest, Helen Barer author of Fitness Kills.

Helen is a native New Yorker and has spent many years as a writer of non-fiction ranging from cookbooks to television documentaries.

Norm:

Good day Helen and thanks for participating in our interview.

Helen:

I’m delighted to have been invited.

Norm:

How did you happen to write a book about a fitness ranch in Baja and could you also tell us a bit about Fitness Kills?

Helen:

I’m a big fan of fitness spas - I’ve been going to one or another for more than 20 years. About 12 years ago, while struggling through an aerobics class at a spa in Baja California, I looked around and thought it was like being on a cruise ship. We’d all arrived on a Saturday, would leave the following Saturday, and in the meantime got to be ‘intimate acquaintances.’

Fitness Kills is the story of Nora Franke,, a New York City food writer who having broken up with her boyfriend, and having gained weight as a result, accepted a temporary job as food consultant at such a fitness spa. She is befriended by a group of regulars, and is caught up by their pain and loss as one, and then another, of the friends die. Nora’s primary employer back in New York assigns her to write an article about the deaths at the health spa, and she becomes invested in solving the murder (and keeping herself alive!).

Norm:

What attracted you to the mystery genre?

Helen:

I like stories with a beginning, middle and end. As well as those with a strong central character - preferably a woman - that have something to say about how we live today and what our values are.

Norm:

What do you believe are the essential ingredients of a good mystery novel?

Helen:

Suspense! And caring about what happens to the characters. Which means, of course, that you have to know the characters. Believability is also essential. This is not a fantasy genre.

Norm:

Is your work improvisational or do you have a set plan?

Helen:

It starts off with a plan. Actually, I’m meticulous at the beginning. I have a summary page, a chapter-by-chapter outline, and know how it ends. But the middle…that’s the real mystery! As I established the characters’ voices, I found they led me in unexpected directions.

Norm:

Helen, this was your first mystery fiction writing project. Did you enjoy the process? How was it different from your typical format?

Helen:

I’d never written fiction before. It was like re-inventing the wheel. I found it very clumsy until a writing teacher at the New School, in a class I’d found called “Starting Your Novel,” suggested I switch to first person. All of a sudden I found my voice! Slightly smart ass, New York City, and vulnerable. I loved it. The dialogue came very naturally to me; it was the plot I struggled with.

Norm:

Can you tell us how you found representation for your book? Did you pitch it to an agent, or query publishers who would most likely publish this type of book? Any rejections?

Helen:

I did pitch it to many agents, all of whom said ‘very well written, but not right for us - it’s not hard-boiled enough/sexy enough/ complicated enough/ straightforward enough…’ take your pick. It was more than discouraging, But I’m in a terrific writing workshop, and two of the authors were published by Five Star, an imprint of Thomson Gale that publishes mystery novels. I queried Five Star directly, sent the book to them as an attachment to an email, and they accepted it almost immediately.

Norm:

What challenges or obstacles did you encounter while writing your book? How did you overcome these challenges?

Helen:

I’d had no idea how to write fiction; it was like learning a foreign language. I read a lot - other mysteries, writers about writing, etc. — and went to mystery conferences. Joining a writing workshop was a major step. Talk about challenges! They pulled and pushed me into writing and rewriting.

Norm:

Was there anyone who really influenced you to become a writer?

Helen:

My mother. She was never without a book, nor was I. She encouraged me to write even as a little girl; my first significant piece was a fourth grade project called “My Life in the Wilderness.” It got an A.

Norm:

Many writers want to be published, but not everyone is cut out for a writer’s life. What are some signs that perhaps someone is not cut out to be a writer and should try to do something else for a living?

Helen:

Don’t give up your day job! I actually waited until I was nearly retired to write full time. Otherwise there’s so much pressure. It also helps to have a thick skin.

Norm:

What are your upcoming projects? How can readers find out more about you and your endeavors?

Helen:

I’m almost halfway through writing my next Nora Franke mystery novel, while promoting this one. Check out my website, .helenbarer.com/.

Norm:

Is there anything else you wish to add that we have not covered?

Helen:

I can’t imagine. You’ve been so thorough.

No one is born a novel writer. But do you believe that we all have the capability to be writers? Impossible as it may seem but the answer is yes! If we have the passion for it and if we strive to make it happen, novelwriting can be as easy as writing ABC. Writing is actually not a very complicated thing. It is just like drawing, painting, and even cooking. It is an art! Your imagination is all that it takes to get it started. What makes it hard is not writing itself but how people make it hard than it really is.

The first key to writing a novel is the ability to dream and imagine. Think back to when you were a little child and dreamed. Your imagination took you to places you’ve never been before. It made you do things you never thought you could do. Having superpowers…being in strange places…the conditions are limitless. Writing a novel is actually imagination translated into words. You close your eyes and let your thoughts drift while creating a web of consequential ideas. Afterwhich, you write them down on paper.

The second key to writing is formulating the premise of your novel. Let’s say you’d start with a huge asteroid moving about in space. Then suddenly it collided with another asteroid and instantly created an explosion. Some of the explosion’s debris fell down into the earth’s atmosphere. By accident a person comes in contact with it. These sequence of events could be your initial start in which you let your mind take hold of and run with to produce the succeeding events.

The third key would be creating a stream of spontaneous ideas. Once you have the initial idea, sink down into it and allow yourself to be completely absorbed. Let’s say after the person comes in contact with the asteroid debris, he gains supernatural powers! And then he notices some new changes in his being, not just physically but also emotionally and psychologically. This is where an avalanche of new ideas start coming in. You will notice that you are no longer directing your story but your story is directing you. That makes writing now so easy. You don’t need to analyze anything because the story now starts to play like a movie. All you have to do is put them into words as the story plays in your head.

Next, make sure you are able to retain your daydreaming and concentration as one event goes after another. This state is now called the “alpha state”. According to Judith Tramayne-Barth, this is the place between consciousness and sleep. Time stands still when you are in this state. Words keep coming to you until you start to feel pain in your legs and in your waist and then you suddenly flick consciousness and you become flabbergasted because you’ve not only written one or two pages but five or more without even knowing it!

The next key would be to practice flipping in and out of the “alpha state”. You can do this by rereading what you’ve written and internalizing it as if it was your first time. It might take you time, as much as hours or even days before you are able to go to your “alpha state” again but once you’re adept at going into the zone, it would only be a matter of minutes before you start writing a new dialogue.

So, you’ve finished your story! Now it’s time to do the final touch-ups. There is still one last thing that you need to do. Yea, you guessed it. You need to check the entire story again for spelling, punctuations, grammar, correct word usage and coherence. You might even need to revise it a few times before you are able to arrive with the final output. But don’t fret, it’s not much work really compared to writing the entire novel. What’s important is you now have your own novel, written by yourself, using your very own imagination. How much more proud could you get?

When Warner Books, one of the world’s largest publishing companies, published my first book, The Angry Clam, back in 1998, the most common question I was asked was, “What were you smoking when you wrote this book?” This was quickly followed by the second most common question, “How in the world did a 40-page, hand-written book with bad drawings of a clam get published?”

The answer to the first question was easy - pure Turkish Hashish - just kidding. (Actually, I awoke in the middle of the night with the idea of a ticked off clam running through my head, then feverishly spent the wee hours putting a frantic pencil to paper.) The answer to the second question takes a little bit more explaining but I believe it contains one of the essential keys (and secrets) to getting published.

The story of how I got The Angry Clam published is a brief one so I will share it with you now:

After I awoke from my long morning nap after having spent the previous night beginning and completing my first ever attempt at literature, I reviewed what I wrote, kind of liked it, and then decided to show it to a few friends. To my amazement, they all thought it was hysterically funny - but in a good way. (They were actually laughing WITH the book not at it!)

Inspired by this, I purchased the supplies necessary to create a more presentable copy of the book - like giving it a cover and hand-writing and drawing each page in pen - and then went to my local Kinko’s to get 50 copies printed up. The following day, with my 50 copies in hand, I decided to go to the owner of a neighborhood bookstore to see if he would be interested in selling The Angry Clam on consignment. To my delight, he looked at the book, laughed, and then said sure, why not, he would take 5 copies. (I believe he was half taking pity on me.)

Unbelievably, within 24 hours, I received a call from the owner asking me for 10 more copies. He then explained how the staff of the bookstore had bought the books and they were now passing them around for everyone to read. I brought over the 10 copies and they were immediately placed in the “Staff Favorite” section near the front register. Incredibly, I began receiving weekly orders for the books.

Encouraged by this, I then went to the owner of another neighborhood bookstore, described the tale of what was happening down the street, and he too agreed to take a few copies. Astonishingly, a very similar phenomenon happened. So this was great - I now had 2 local bookstores consistently selling and promoting The Angry Clam. It was at this point that I stumbled upon the very simple idea that would eventually get big New York literary agents and then several major publishing houses to pay The Angry Clam notice.

Placing a call to the owners of the 2 bookstores, I very politely asked them if they would each write a brief letter describing the “phenomenon” of the The Angry Clam at their store. Thankfully, they both agreed and within a day I had my two letters.

Armed with these testaments of The Angry Clam’s selling prowess, I was ready to see just how far my little book could go. So I purchased a copy of the Writer’s Guide to Literary Agents, picked about a dozen agents, and then mailed out a copy of the book and the 2 letters to each one of them.

What happened next has made me a legend in my own mind. Within 2 weeks I received calls from 5 of the agents - each wanting to represent The Angry Clam. After carefully selecting one of them, it took less than a month to get my first of several publishing offers.

What happened after the book was bought by Warner Books is a tale for another day. (The Angry Clam eventually hit the shelves of bookstores all over the United States and even rose into the Hot 100 on Amazon.

But the moral of The Angry Clam story is this - in the publishing world, a book’s perceived ability to sell is king. Prove to the publishing companies that your books can sell on a small scale and they just might take a chance that your books will sell on a large scale. What have they got to lose? Unknown authors rarely get more than a tiny advance and the cost to print up the first 2,000 books is nothing to a large company.

After all, Publishing is just a business.

Types of things to watch out for with agents:

* Charging the author a fee up front, to be accepted as a client. Can be called a reading fee, or a monthly “office expenses” charge. The best agents, and most successful ones, only charge a percentage fee of royalties the author earns, typically 15%. Suppose a realtor charged you a fee to come over and tour your house before getting the listing? How quickly would you show that realtor the door. . .

* Charging back unusually large “postage and copying fees” to send out an authors’ work. One crooked agency accepts almost every client that contacts them, but in the fine print of the contract they charge “postage and handling” of up to $10 per submission they send out on your behalf. It doesn’t cost $10 to send a letter and a sample chapter of a book to a publisher. This company makes a fortune from these fees whether or not they actually successfully market any of their clients work.

* Directing authors toward specific editing services or giving authors’ names to these services. Sometimes they even own the editing service. Some agents make a significant portion of their income from referral fees from these services.

* Terms in Agency contracts with writers vary widely. Must be read carefully. Not standard at all.

* The agent contacts publishers pretty much at random. The agent’s value to you is in the relationships they have with publishers, so that if the publisher hears from them, they know the book is worth taking a look at. Ask to see copies of rejection letters that come back from publishers. If it looks like just a form letter response, rather than a letter you would send to an acquaintance, you can bet the agent may be just picking names out of a directory of publishers.

* Puts forth a weak effort or gives up on the client’s project after a few months. You have a right to ask how active the agent is going to be. How many publishers are they going to contact, how will they follow up? You also have a right to periodic reports as to whom they have contacted and the results. You must determine how much time and attention they are really going to give you.

Another reason it is imperative to have a reputable agent is that the publishing house typically pays the agent, who deducts their “cut” and sends the remainder it to the author. It’s a frightening thought that a less than honest person gets their hands on the money you’ve earned from sweat, blood, and even tears.

Find out more about agents