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Some speeches are so powerful and inspire so much passion that they plant the seeds for a revolution or a big change in society. Why are some speakers so good at connecting with their audience and some so bad at it? At the root, a speech is about conveying a message and making an impression. Good speakers know that to be heard, they have to be clear, inspirational, and … lead. Indeed, giving a speech is about leading people in the right direction with one’s vision of how things should be.

That’s why speeches are so important in politics. The leader of a political party has to be able to affirm himself as someone with direction and drive in order to inspire confidence in the electorate. But no matter how many attributes we associate to “good speeches,” it all comes down to one thing: “making a statement.”

A good speech is about “making a statement.”

Those that fail when they stand in front of a crowd are those that have no real clue of what they want to say, have no confidence in themselves, or couldn’t say it eloquently enough. All that translates into one thing: no conviction. A leader must have conviction in order to succeed.

The same holds true for resumes and cover letters. It’s about connecting with the recruiter and making a statement: “I am the best candidate for the job. Give me at least a chance at an interview.” Faced with a good application, a recruiter will always give that applicant the benefit of the doubt. No employer wants to let go of a potentially good recruit.

So when you are facing the difficult task of writing a resume or a cover letter, keep that in mind. When you are done writing, let it rest, come back on it later, and ask yourself this question: “Have I made it clear that I was the best candidate for the job?” If the answer is “no,” you know what you’ve got to do…

Who is the Bigger-Than-Life Character in Your Bestseller-Kind-Of-Novel?

The main characters in the bestseller-kind-of novel are bigger-than-life. No wimps here. You can’t just tell us what they do; you have to show us what they do. Prove that they’ve bigger-than-life. These are people who find ways to solve the problems around them. They outsmart the bad guys. The bigger-than-life character overwhelms the enemy, somehow. They blow up blockade, so to speak&ndashliterally or emotionally.

Here are your examples: In the Godfather, everyone knows that he can fix any man’s problems. His people already know that; we’re just being introduced to him, though. The undertaker comes to him seeking revenge on the well-to-do white boys that tried to rape and beat his only daughter. If the undertaker takes revenge, he knows the police will find out and jail him. So he comes to godfather and asks the request. Godfather has his foot soldiers to take care of it. The pizza baker wants his daughter to be married to the baker boy who is about to be deported to Italy by immigration. Godfather has his concierge to talk to his politicians and stop the deportation. His godson comes in crying about a movie that the big time Hollywood producer won’t give to him. Godfather assures him he will fix it. The producer says he’ll never get that part. Godfather makes him an offer he can’t refuse. Through his unlimited connections, the producer finds his prized and protected horse’s head in his bed. Producer’s scream can be heard a mile away.

Even in death, he has outwitted the bad guys. He grooms the son Michael to carry on, and drummed into his head the plot the enemy will use to kill him. He accurately predicts who would be the traitor after his death. Godfather was larger than life and he has out lasted the author, Mario Puzo.

Godfather executed the death of the Italian Don, who had killed his father. As his mother begged for his life, the mob boss shot her. The boy escaped and came to America. He did crime to keep his people from suffering injustice. That was larger-than-himself, larger than life.

GONE WITH THE WIND&ndashNear the end of the war, Scarlett comes home to Tara and finds it in disarray. Her mother is dead, the cotton fields are waiting to be tended, her father is losing his memory and two lazy sisters are complaining. Scarlett put on her bonnet and worked the field and whipped the sisters in line to do the same. When a Yankee soldier comes into her house, she shoots and kills him, then drags him out and buries him. Scarlett was a bestseller-kind of character&ndashlarger than life.

The Mayor’s Wife Wore Sapphires&ndashIndigo Tate is wired to make things happen. The story opens with her scheming to get her husband into congress. She was ladylike and all cosmopolitan in the right circles. When she’s trying to get her “Camelot” status for Compton. But near the climax, when she is locked in a safe house, under the guardianship of a six-foot-nine giant and pressured, she tamed her guardian to have pity on her. She had the cool presence of mind, like Michael, to push the right buttons. The head enemy approaches, and when he is caught off guard, she battles him down with a broken chair leg&ndashlike Scarlett when the Yankee tries to invade her home. She runs and jumps off a high porch with two pit bulls baring teeth and chasing in close pursuit. She sprang on top of a six-foot fence, dislocating her arm and leg, but she keeps running to the highway, to freedom. No one can say anything but that Indigo Tate is a larger-than-life-character. She is the African American heroine who’s name will be just as well known as Scarlett’s.

Write 20 characteristics of your bigger-than-life character. If you notice, there are no wimps in even a love story.

Who is the Bigger-Than-Life Character in Your Bestseller-Kind-Of-Novel?

The main characters in the bestseller-kind-of novel are bigger-than-life. No wimps here. You can’t just tell us what they do; you have to show us what they do. Prove that they’ve bigger-than-life. These are people who find ways to solve the problems around them. They outsmart the bad guys. The bigger-than-life character overwhelms the enemy, somehow. They blow up blockade, so to speak&ndashliterally or emotionally.

Here are your examples: In the Godfather, everyone knows that he can fix any man’s problems. His people already know that; we’re just being introduced to him, though. The undertaker comes to him seeking revenge on the well-to-do white boys that tried to rape and beat his only daughter. If the undertaker takes revenge, he knows the police will find out and jail him. So he comes to godfather and asks the request. Godfather has his foot soldiers to take care of it. The pizza baker wants his daughter to be married to the baker boy who is about to be deported to Italy by immigration. Godfather has his concierge to talk to his politicians and stop the deportation. His godson comes in crying about a movie that the big time Hollywood producer won’t give to him. Godfather assures him he will fix it. The producer says he’ll never get that part. Godfather makes him an offer he can’t refuse. Through his unlimited connections, the producer finds his prized and protected horse’s head in his bed. Producer’s scream can be heard a mile away.

Even in death, he has outwitted the bad guys. He grooms the son Michael to carry on, and drummed into his head the plot the enemy will use to kill him. He accurately predicts who would be the traitor after his death. Godfather was larger than life and he has out lasted the author, Mario Puzo.

Godfather executed the death of the Italian Don, who had killed his father. As his mother begged for his life, the mob boss shot her. The boy escaped and came to America. He did crime to keep his people from suffering injustice. That was larger-than-himself, larger than life.

GONE WITH THE WIND&ndashNear the end of the war, Scarlett comes home to Tara and finds it in disarray. Her mother is dead, the cotton fields are waiting to be tended, her father is losing his memory and two lazy sisters are complaining. Scarlett put on her bonnet and worked the field and whipped the sisters in line to do the same. When a Yankee soldier comes into her house, she shoots and kills him, then drags him out and buries him. Scarlett was a bestseller-kind of character&ndashlarger than life.

The Mayor’s Wife Wore Sapphires&ndashIndigo Tate is wired to make things happen. The story opens with her scheming to get her husband into congress. She was ladylike and all cosmopolitan in the right circles. When she’s trying to get her “Camelot” status for Compton. But near the climax, when she is locked in a safe house, under the guardianship of a six-foot-nine giant and pressured, she tamed her guardian to have pity on her. She had the cool presence of mind, like Michael, to push the right buttons. The head enemy approaches, and when he is caught off guard, she battles him down with a broken chair leg&ndashlike Scarlett when the Yankee tries to invade her home. She runs and jumps off a high porch with two pit bulls baring teeth and chasing in close pursuit. She sprang on top of a six-foot fence, dislocating her arm and leg, but she keeps running to the highway, to freedom. No one can say anything but that Indigo Tate is a larger-than-life-character. She is the African American heroine who’s name will be just as well known as Scarlett’s.

Write 20 characteristics of your bigger-than-life character. If you notice, there are no wimps in even a love story.

There’s an estimated 3 million Independent authors worldwide. If these writers join forces the potential impact is staggering.

As of right now, the print-on-demand companies estimate that over 90% of their authors sell less than 30 books per year. The question is: how do you expand the position and exposure in the bookselling market and offer Independent authors an opportunity to sell more books?

The traditional brick and mortar marketplace has an established base of approximately 10,000 retail locations large enough to warrant the attention of major New York publishers. Unit sales of individual titles are in decline and some experts suggest readers are tired of the same old thing &ndash the market lacks new authors and new titles.

Total book sales in all markets (excluding schools and textbooks) is estimated at around $20 billion dollars. One percent equals $200 million dollars. All that is required for Independent titles to capture this one percent in sales is to form an online market, a central location, totally independent from any established publishing entity. That new creation would allow the Independently published book to be shopped by readers from around the world. The potential increase in sales is dramatic. The key is the development of this community, a destination for readers interested in purchasing the finest Independently written and published books from around the world: A place where the potential for Independent writers would open up to the world.

The concept is to open the market for Independently written books and offer readers the opportunity to shop for new titles, never before seen by the public at large. One community, bringing voices never heard and stories never told to the world.

The biggest problem with selling more Independent books is that an individual cannot imitate what the bigger publishers do in a market they control. The best opportunity to sell more Independently published books is to create your own market. Big publishing houses don’t use the Internet to sell their books. Exploit their weaknesses, and help establish your own online destination for selling book(s).

It is not economically feasible to establish a brick and mortar presence for Independently published books. The hurdles to even the smallest market share is cost prohibitive. The best strategy is through the use of technology, the Internet, to create a combined web presence, a community, where writers can market themselves and their book(s).

The strength of the Independent writer and author is the combined size of the group. When we create the community and develop a following, the old adage “build it and they will come,” will ring true. Major New York publishers relish in the fact the market for Independent books is fragmented and floundering. The last thing they want to see is a joining of forces into one location where readers can shop for books. The creation of a single community of Independent authors would send shock waves throughout the business! Let’s create our own market and stop trying to break into theirs.

It’s free, and the first step toward total independence in the marketplace for bookselling.

There’s an estimated 3 million Independent authors worldwide. If these writers join forces the potential impact is staggering.

As of right now, the print-on-demand companies estimate that over 90% of their authors sell less than 30 books per year. The question is: how do you expand the position and exposure in the bookselling market and offer Independent authors an opportunity to sell more books?

The traditional brick and mortar marketplace has an established base of approximately 10,000 retail locations large enough to warrant the attention of major New York publishers. Unit sales of individual titles are in decline and some experts suggest readers are tired of the same old thing &ndash the market lacks new authors and new titles.

Total book sales in all markets (excluding schools and textbooks) is estimated at around $20 billion dollars. One percent equals $200 million dollars. All that is required for Independent titles to capture this one percent in sales is to form an online market, a central location, totally independent from any established publishing entity. That new creation would allow the Independently published book to be shopped by readers from around the world. The potential increase in sales is dramatic. The key is the development of this community, a destination for readers interested in purchasing the finest Independently written and published books from around the world: A place where the potential for Independent writers would open up to the world.

The concept is to open the market for Independently written books and offer readers the opportunity to shop for new titles, never before seen by the public at large. One community, bringing voices never heard and stories never told to the world.

The biggest problem with selling more Independent books is that an individual cannot imitate what the bigger publishers do in a market they control. The best opportunity to sell more Independently published books is to create your own market. Big publishing houses don’t use the Internet to sell their books. Exploit their weaknesses, and help establish your own online destination for selling book(s).

It is not economically feasible to establish a brick and mortar presence for Independently published books. The hurdles to even the smallest market share is cost prohibitive. The best strategy is through the use of technology, the Internet, to create a combined web presence, a community, where writers can market themselves and their book(s).

The strength of the Independent writer and author is the combined size of the group. When we create the community and develop a following, the old adage “build it and they will come,” will ring true. Major New York publishers relish in the fact the market for Independent books is fragmented and floundering. The last thing they want to see is a joining of forces into one location where readers can shop for books. The creation of a single community of Independent authors would send shock waves throughout the business! Let’s create our own market and stop trying to break into theirs.

It’s free, and the first step toward total independence in the marketplace for bookselling.

Creative writing is one of the most difficult jobs in the world. However, you really don’t need a special talent for it. What you need is a paper, a pen and a very good imagination that is worthy of telling your story to other people.

With good imagination, you can really capture your audience’s minds and keep them reading your work. However, you have to know that a good imagination is simply not enough when you are writing. You also need to consider quite a few things first before you start writing.

It is a fact that many authors find it hard to write an article or a novel. So, if you are experiencing difficulty in writing an article or a novel, it is just natural. The first thing you need to consider is to have an appropriate environment in order for you to concentrate on work. Create your own writing environment to enable you to write more effectively and think more effectively. Consider the clothes you wear, the music you want to hear while writing, the temperature of the room, the lighting, the chair and a lot more. You should be comfortable with all these things. If you are, you will find it easier to write.

You will also need to have a writing schedule. You have to remember that nothing can be more frustrating when writing when someone is always barging in your writing time. You need to know when you can write in order to avoid interruptions from friends, family, co-workers or whomever that may interrupt you when you are writing. You have to concentrate on writing so you have to turn off anything that will interrupt you. Consider diverting all calls to a machine, turn off your pager, mobile phones, PDA and others that may interrupt you. Remember that you will be in another world in creative writing; you have to get out of the real world.

It is recommended that you should write when you are at your mental best or when you are not tired. However, some of the best novels were written on hours that would normally be your bedtime, try and write during these hours and determine if it will indeed affect your writing positively. If it doesn’t, you should stick to your regular schedule where your mental state is at its prime.

If you are writing about a character, you should relate to them. Imagine you are that character and know their different behaviors and talk to an imaginary character. By doing this, you can effectively show your characters personality and will definitely make your readers think as if the character is real.

Writing is a very hard task to do. It will affect you physically and mentally. If you want to ease the tension, you have to invest in good writing tools that are readily available in the market. A fast desktop computer is a great way to start and as well as a writing software program that will enable you to write more effectively. It is also recommended that you purchase a large flat screen monitor to make it easier for your eyes.

These are some of the things you need for you to be able to write more effectively. Creative writing is a very tiring task to do, by following these advices, you will definitely write a good novel that everyone will surely buy.

Creative writing is one of the most difficult jobs in the world. However, you really don’t need a special talent for it. What you need is a paper, a pen and a very good imagination that is worthy of telling your story to other people.

With good imagination, you can really capture your audience’s minds and keep them reading your work. However, you have to know that a good imagination is simply not enough when you are writing. You also need to consider quite a few things first before you start writing.

It is a fact that many authors find it hard to write an article or a novel. So, if you are experiencing difficulty in writing an article or a novel, it is just natural. The first thing you need to consider is to have an appropriate environment in order for you to concentrate on work. Create your own writing environment to enable you to write more effectively and think more effectively. Consider the clothes you wear, the music you want to hear while writing, the temperature of the room, the lighting, the chair and a lot more. You should be comfortable with all these things. If you are, you will find it easier to write.

You will also need to have a writing schedule. You have to remember that nothing can be more frustrating when writing when someone is always barging in your writing time. You need to know when you can write in order to avoid interruptions from friends, family, co-workers or whomever that may interrupt you when you are writing. You have to concentrate on writing so you have to turn off anything that will interrupt you. Consider diverting all calls to a machine, turn off your pager, mobile phones, PDA and others that may interrupt you. Remember that you will be in another world in creative writing; you have to get out of the real world.

It is recommended that you should write when you are at your mental best or when you are not tired. However, some of the best novels were written on hours that would normally be your bedtime, try and write during these hours and determine if it will indeed affect your writing positively. If it doesn’t, you should stick to your regular schedule where your mental state is at its prime.

If you are writing about a character, you should relate to them. Imagine you are that character and know their different behaviors and talk to an imaginary character. By doing this, you can effectively show your characters personality and will definitely make your readers think as if the character is real.

Writing is a very hard task to do. It will affect you physically and mentally. If you want to ease the tension, you have to invest in good writing tools that are readily available in the market. A fast desktop computer is a great way to start and as well as a writing software program that will enable you to write more effectively. It is also recommended that you purchase a large flat screen monitor to make it easier for your eyes.

These are some of the things you need for you to be able to write more effectively. Creative writing is a very tiring task to do, by following these advices, you will definitely write a good novel that everyone will surely buy.

Copy editing is a most important and time-consuming task for those involved in the field. It requires the sensitive editorial handling of print material of every kind. And it requires the editor’s close attention to a document’s every detail, its format, and all of its elements; a thorough knowledge of what to look for and of the style to be followed as desired by the author or client; and the ability to make quick, logical, objective, justifiable, and defensible decisions in the correction of spelling, grammar, punctuation, terminology, sentence structure, clarity, conciseness, tone and voice, inconsistencies, and typographical errors. Valued editors are those who know editorial and factual things that others don’t know and who offer keen understanding of an author’s need to advance communication.

To begin with, copy editors are thoroughly familiar with and comfortable applying the universally accepted editorial and typographic marks and symbols&ndashas described in the Chicago Manual of Style and summarized under proofreader’s marks in Merriam-Webster’s Collegiate Dictionary, 11th edition&ndashthat are commonly understood by compositors working in English.

The editorial function comprises two processes: mechanical editing and substantive editing. Mechanical editing involves a close reading, with an eye on consistency of capitalization, spelling, and hyphenation and other end-of-line word breaks; agreement between verbs and subjects; scores of other matters of syntax; punctuation; beginning and ending quotation marks and parentheses; number of ellipsis points; numbers given either as figures or as words; and hundreds of other, similar details of grammatical, editorial, and typographic style.

In addition to regularizing those details of style, the copy editor is expected to catch infelicities of expression that mar an author’s prose and impede communication. Such matters include but are by no means limited to dangling participles, misplaced modifiers, mixed metaphors, unclear antecedents, unintentional redundancies, faulty attempts at parallel construction, mistaken junction, overuse of an author’s pet word or phrase, unintentional repetition of words, race or gender or geographic bias, and hyphenating in the predicate, unless, of course, the hyphenated term is an entry in the dictionary and therefore permanently hyphenated in every grammatical case. Job seekers, especially, need to attend to such details in their executive r

Copy editing is a most important and time-consuming task for those involved in the field. It requires the sensitive editorial handling of print material of every kind. And it requires the editor’s close attention to a document’s every detail, its format, and all of its elements; a thorough knowledge of what to look for and of the style to be followed as desired by the author or client; and the ability to make quick, logical, objective, justifiable, and defensible decisions in the correction of spelling, grammar, punctuation, terminology, sentence structure, clarity, conciseness, tone and voice, inconsistencies, and typographical errors. Valued editors are those who know editorial and factual things that others don’t know and who offer keen understanding of an author’s need to advance communication.

To begin with, copy editors are thoroughly familiar with and comfortable applying the universally accepted editorial and typographic marks and symbols&ndashas described in the Chicago Manual of Style and summarized under proofreader’s marks in Merriam-Webster’s Collegiate Dictionary, 11th edition&ndashthat are commonly understood by compositors working in English.

The editorial function comprises two processes: mechanical editing and substantive editing. Mechanical editing involves a close reading, with an eye on consistency of capitalization, spelling, and hyphenation and other end-of-line word breaks; agreement between verbs and subjects; scores of other matters of syntax; punctuation; beginning and ending quotation marks and parentheses; number of ellipsis points; numbers given either as figures or as words; and hundreds of other, similar details of grammatical, editorial, and typographic style.

In addition to regularizing those details of style, the copy editor is expected to catch infelicities of expression that mar an author’s prose and impede communication. Such matters include but are by no means limited to dangling participles, misplaced modifiers, mixed metaphors, unclear antecedents, unintentional redundancies, faulty attempts at parallel construction, mistaken junction, overuse of an author’s pet word or phrase, unintentional repetition of words, race or gender or geographic bias, and hyphenating in the predicate, unless, of course, the hyphenated term is an entry in the dictionary and therefore permanently hyphenated in every grammatical case. Job seekers, especially, need to attend to such details in their executive r

Are you waiting and hoping for creative writing ideas? Why not use some simple techniques to produce as many ideas as you will need? Here are a few to get you started.

Combine Stories For Creative Writing Ideas

There is a technique called “concept combination” which is to create new products to sell. Use it to create new stories, and it is usually good for a few laughs and a few ideas as well. All you have to do is imaginatively combine old stories into new ones. For the most creative ideas, use stories which are unrelated in their theme.

Suppose you start with the biblical story of Adam and Eve, and combine it with the movie, “Star Wars.” Perhaps in the new story a man and a woman are placed alone on a new planet, as an experiment to see what will happen over the centuries. Would they or their future offspring develop our same ideas about God and morality?

Get crazy if you want. “King Kong,” and “Romeo and Juliette” could become a story about when apes learn to speak, and the first human-ape romantic relationship develops. The couple is of course rejected by ape and human society. How about “Frankenstein” and “Gone With The Wind?” Start dreaming up those new creative writing ideas.

More Ways To Have Creative Writing Ideas

Make a list of what is most important to you. Take anything from that list, and find a story in it. For example, if honesty is important to you, create a story populated with characters that are defined by how honest or dishonest they are, and show the consequences of this trait. If there is some political principle that is important to you, imagine new stories which show what happens when this principle is followed - or when it isn’t.

Make a list of the stories most like. Start with any story you really like, and think about how you would have told it, or how it could be told. The start writing to see if the idea “grabs” you. Romeo and Juliet has been successfully retold a hundred ways in books and movies, under many titles. Why not find a formula you like, which has been proven to work, and write your own updated version?

Watch the evening news and make a list of the stories. This source is mined by television shows all the time. Try to add a twist that will get the story read. For example, take a real life issue that is in the news and approach it from a different perspective. Perhaps it could be a story of a businessman who profiteers after a hurricane, but you find a way find a way to make him the good guy.

One of the best ways to get ideas is to write anything right now. The English writer Graham Green attributes his success to a simple habit: He forced himself to write at least 500 words daily, whether he felt like it or not. Creative inspiration can strike at any time, but it strikes more often when there is work instead of waiting. Just start writing and you’ll have more creative writing ideas.