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Yes folks, it’s the long awaited OJ Simpson confession book! Except that in OJ’s mind it was anything but, he claims it is a fictional account of how we would have done it, if he had done it! I have lots of problems with this book, not least of which is what was going through his sick and twisted mind to want to write the book in the first place. If you are innocent this book makes no sense. And if you are guilty, it makes even less sense, unless you are trying to confess and clear the air. But he plainly says, time and time again that it is fiction.

The good news is that through the intervention of Fred and Kim Goldman OJ Simpson will not see one dime of profits from its sale. The not so good news is that OJ did manage to get the almost $700,000 in advances before the project became public.

Really it is the story behind the book that makes better reading than the book itself. When the Goldman family heard that OJ Simpson was having a book written they moved into high gear to prevent its publication and his ability to profit from the misery. In the 13 years following the guilty verdict Simpson has paid exactly nothing of the money awarded to the Goldman’s. He relocated to Florida to avoid the pesky Californian judgment, and spends a happy life playing golf and who knows what else. The award was somewhere in the 18 million dollar range, with interest that now amount has more than doubled, one report puts it at 39 million dollars.

With ammunition like that the courts sided with the Goldman’s and gave them the rights to the book. Unfortunately there were strings attached, a bankruptcy was involved. And after much soul searching they realized that although they had won, the win came at the great price of now having to publish the book.

The end result, is a book that I am sure OJ hates! Yes his material is included in its unchanged entirety, however it it preceded by some commentary by Fred Goldman, and the actual Ghostwriter Pablo Fenjves. The book is ended by a chapter written by Dominick Dunne.

Let’s take these sections one by one. Fred Goldman explains at length the problems and frustrations his family felt when it became public knowledge that OJ Simpson was planning a tell all book. One article I read claimed that this section was ‘under edited,’ that might be true, but it is also written from the heart. And I will take that every time over the sterile grammatical style favored by many large publishing houses. It worked for me and set the scene well.

The most damning testimony to the guilt and obvious truth to the ‘hypothetical version of events’ comes from Ghostwriter Pablo Fenjves. In a matter of just 20 pages Pablo tells a very interesting side of OJ Simpson. Although I had no doubt of his guilt from the time of the actual 1993 events, Pablo makes a case that is so strong event Judge Ito and that half wit jury would have found OJ guilty.

Next up, is the OJ Simpson text. Pretty much it is a self serving and nauseating piece of garbage. He explains at great length what a nice guy he is, and what a bad person Nicole Brown was. The one chapter of interest is the one detailing the events of the fateful night. With the exception of the ’second man,’ it likely is one of the few factual parts of the entire manuscript.

The final chapter is written by Dominick Dunne. Dominick covered the original trial for Vanity Fair, and became a close friend of the Goldman’s as a result. His is an interesting story, he too lost a child at the hands of a murderer, his daughter was killed, and the killer walked free after only 2

This is to say the least an interesting and entertaining read that covers far more ground than the title implies. Told with a huge amount of humor we follow Dodie on her sojourn to Thailand, where things do not work out as planned. As she ruefully reflects on in the final chapters, what seems like a great opportunity at the time, had enough flashing warning lights that she should have spotted early on.

The story opens with our heroine working a mundane office job during the day, and helping out part time at a local golf course in the evenings. Here she meets he husband to be, the club Pro Dick. Although not exactly swept off her feet in passion, they do eventually become lovers. It transpires that Dick prior to becoming a Golf Pro has had considerable experience in the construction world. Happenstance puts Dick and Dodie in a position where a two-year contract for a construction project in exotic Thailand is theirs for the taking. A free house, bags of tax free money, what more could you ask for? Of course there is one minor hitch, for Dick to get the full company benefits, he must be married.

Whats a fun loving, adventure seeking gal to do? Well if your name is Dodie Cross you of course get married, and start packing! Minor things like ‘love’ can be worked on later!

It doesn’t take our adventurous author long to discover that the ‘land of smiles’ may well be full of smiles, but the company compound where everyone must live is anything but Eden. A repressive management, or to be exact the manager’s wife, has created her own version of hell on Earth. Endless lists of rules and regulations, the company not only owns the employees, but their wives and families as well. Must-attend meetings, shopping trips, card games, and parties are all part of the social calendar.

None of this sits well with Dodie, and she of course decides to buck the system, even worse she discovers that Dick is a 60 year old sex maniac! Stress at home, stress from “the bosses,” all start to weigh heavily on Dodie, an unexpected medical problem also adds to her growing list of issues.

A Broad Abroad In Thailand is a great read, it is written in a very humorous style, I particularly enjoyed the Pigin English dialog with the local Thai people. That on its own makes this book a hit! Dodie, undaunted by minor and in some cases major setbacks,’bags and crashes’ her way through life. This is a must read book for anyone contemplating living and working in a foreign land, from marital to medical, the problems are so much greater than being at home.

About Dodie Cross: she is a freelance writer who has received numerous awards for her writing and poetry, among them the prestigious Southern California Writer’s Conference First Place Award for “Best Nonfiction,” as well as First Place in their inaugural Poetry Award. She has accrued first and second place prizes in her published articles. Dodie has traveled the world, writing about her life in foreign countries such as Iran and Thailand, as well as American locales such as New Orleans, Orange County, California and Lake Chelan, Washington. Look for her next book: One Strappy-Sandaled Foot Ahead of the Mullahs: An Expat’s Life in Iran Before and During the Revolution.

This is to say the least an interesting and entertaining read that covers far more ground than the title implies. Told with a huge amount of humor we follow Dodie on her sojourn to Thailand, where things do not work out as planned. As she ruefully reflects on in the final chapters, what seems like a great opportunity at the time, had enough flashing warning lights that she should have spotted early on.

The story opens with our heroine working a mundane office job during the day, and helping out part time at a local golf course in the evenings. Here she meets he husband to be, the club Pro Dick. Although not exactly swept off her feet in passion, they do eventually become lovers. It transpires that Dick prior to becoming a Golf Pro has had considerable experience in the construction world. Happenstance puts Dick and Dodie in a position where a two-year contract for a construction project in exotic Thailand is theirs for the taking. A free house, bags of tax free money, what more could you ask for? Of course there is one minor hitch, for Dick to get the full company benefits, he must be married.

Whats a fun loving, adventure seeking gal to do? Well if your name is Dodie Cross you of course get married, and start packing! Minor things like ‘love’ can be worked on later!

It doesn’t take our adventurous author long to discover that the ‘land of smiles’ may well be full of smiles, but the company compound where everyone must live is anything but Eden. A repressive management, or to be exact the manager’s wife, has created her own version of hell on Earth. Endless lists of rules and regulations, the company not only owns the employees, but their wives and families as well. Must-attend meetings, shopping trips, card games, and parties are all part of the social calendar.

None of this sits well with Dodie, and she of course decides to buck the system, even worse she discovers that Dick is a 60 year old sex maniac! Stress at home, stress from “the bosses,” all start to weigh heavily on Dodie, an unexpected medical problem also adds to her growing list of issues.

A Broad Abroad In Thailand is a great read, it is written in a very humorous style, I particularly enjoyed the Pigin English dialog with the local Thai people. That on its own makes this book a hit! Dodie, undaunted by minor and in some cases major setbacks,’bags and crashes’ her way through life. This is a must read book for anyone contemplating living and working in a foreign land, from marital to medical, the problems are so much greater than being at home.

About Dodie Cross: she is a freelance writer who has received numerous awards for her writing and poetry, among them the prestigious Southern California Writer’s Conference First Place Award for “Best Nonfiction,” as well as First Place in their inaugural Poetry Award. She has accrued first and second place prizes in her published articles. Dodie has traveled the world, writing about her life in foreign countries such as Iran and Thailand, as well as American locales such as New Orleans, Orange County, California and Lake Chelan, Washington. Look for her next book: One Strappy-Sandaled Foot Ahead of the Mullahs: An Expat’s Life in Iran Before and During the Revolution.

This month, I read two books back to back: Soldier’s Heart by Elizabeth Samet and Punching In by Alex Frankel. Both of these works are an excellent introduction into entry-level corporate culture and leadership development.

Soldier’s Heart is a civilian English professor’s take on the leadership culture of West Point, based on her 10 years experience as a faculty member. Professor Samet is in a rare, but well qualified position to pen Soldier’s Heart. Only a fifth of the academy’s faculty is civilian instructors; the rest are military officers on rotation or “regular Army.” Samet’s academic interest also makes her special; she has studied the dynamic of command and obedience in American literature.

Soldier’s Heart is not the first work about West Point by a soldier or civilian, but it comes from the most interesting perspective: an outside working inside.

Soldier’s Heart has a balanced look at the military culture. Samet writes that no cadet wants to be, in one cadet’s words, a “non-thinking slasher,” someone who would kill for the glory of war, or the sake of killing.

West Point is, and has always been, a literate culture. Classical literature through Armed Forces Editions educates and entertains soldiers in battle, and reinforces American values. She writes of books as weapons to spread ideas, and counter actions meant to curtail freedom. But she also states that tales of war talk of motherhood or a woman’s love for soldiers &ndashbut not a woman’s love for soldiering. There is nothing about motherhood in the military culture, but there is the need to fight for mother.

The professor adds that today’s military culture has conflated military missions with spiritual missions; soldiers become instructed to regain faith when there seems to be little cause for faith. However, that might be necessary instruction to lead at a time when officers, enlisted and veterans are questioning our nation’s involvement in Iraq, a war that they believe to be unnecessary.

This faith extends to open displays of the Seven Army Values: Loyalty, Duty, Respect, Selfless Service, Honor, Integrity and Personal Courage. Soldiers tape the Values to their dog tags. Soldiers also display the Soldier’s Creed, officially posted in 2003:

I will always place the mission first

I will never accept defeat

I will never quit

I will never leave behind a fallen comrade.

The Values and the Creed are possible not only because of the culture, but also because our soldiers are professionals who have chosen to serve. Samet sites one Army study that mentions that professional soldiers still fight for each other, as they did, for example in World War II, but they also accept the responsibility that Army has entrusted to them.

The Army, as an institution, has had mottos and mission statements longer than most American businesses, and has a culture where everyone must live by them. Some of the most successful corporations have copied the military’s strengths&ndash and some of its imperfections. According to two online employment sites, GIJobs and CollegeGrad, 24 of the Top 50 Military Friendly Employers in 2007 also hired 100 or more college graduates for their entry-level positions. It is safe to say that these companies use the same values to develop and retain their entry-level and military transitional hires.

Which brings me to the next question: can those without the military orientation become as successful in these firms as those who have served with honor? The answer, according to Alex Frankel’s Punching In, is sometimes, if you can get along to go along.

Values, missions, attention to detail and duty are part of the dialogue in Punching In, another work where an outsider looks inside, and serves on the front lines of indoctrination into corporate culture.

Frankel worked in entry-level customer service positions at United Parcel Service (UPS), Enterprise Rent-A-Car, The Gap, Starbucks and The Apple Store, took online aptitude tests with two retailers: Best Buy and Home Depot and went through the lengthy interview processes at The Container Store and Whole Foods.

Like the Army, these corporations try to engage and turn their workers into fanatical and loyal employees. Interestingly enough, he refers to front-line workers as the Brand Army of these firms and called UPS the Other Army, because of the company’s esprit de coir and the spit and polish appearance of the front-line workers. Both the Army and UPS do not accept alteration, recreational display or desecration of their uniform.

Frankel respected UPS more than the other organizations, because their workers, especially the drivers, were the most trusted. He adds that this is necessary because UPS workers are all in the field. They can track their locations, but any problems must be solved on route. Each driver and their helper is like a platoon of soldiers; they must follow orders, but they have some lee way in how to execute them.

Frankel did not say the same about the other organizations. For example, he praised Enterprise’s efforts to motivate workers to believe that they can advance from desk clerks to regional managers &ndash though he adds that further advancement is less possible. The company hires approximately 8,000 entry-level employees, although the rest of the work force is no larger.

Frankel shows how Starbucks has become a “third place,” a neighborhood-meeting place away from home and work, but believes this will be a difficult strategy to maintain because of the standardized appearance of the thousands of stores and employees. He considers Apple Stores to be an excellent setting for those who are already fans of the technology; they need little indoctrination and training as well. And he shows The Gap to be little different from other retailers who are loathed by retail workers, a company bent on standards and policies that put store design first, product second, credit card sales third and the employees last.

Like the Army, these organizations have a uniform, policies and shared values, but unlike the Army, they can hire and fire at will. It was interesting that Frankel conveyed the most respect for the organization that was the most like the Army.

Given UPS’ success &ndash the company maintains 80 percent market share against several large competitors, including the U.S. Postal Services &ndash that’s quite a complement for our troops and the men and women who lead them.

This month, I read two books back to back: Soldier’s Heart by Elizabeth Samet and Punching In by Alex Frankel. Both of these works are an excellent introduction into entry-level corporate culture and leadership development.

Soldier’s Heart is a civilian English professor’s take on the leadership culture of West Point, based on her 10 years experience as a faculty member. Professor Samet is in a rare, but well qualified position to pen Soldier’s Heart. Only a fifth of the academy’s faculty is civilian instructors; the rest are military officers on rotation or “regular Army.” Samet’s academic interest also makes her special; she has studied the dynamic of command and obedience in American literature.

Soldier’s Heart is not the first work about West Point by a soldier or civilian, but it comes from the most interesting perspective: an outside working inside.

Soldier’s Heart has a balanced look at the military culture. Samet writes that no cadet wants to be, in one cadet’s words, a “non-thinking slasher,” someone who would kill for the glory of war, or the sake of killing.

West Point is, and has always been, a literate culture. Classical literature through Armed Forces Editions educates and entertains soldiers in battle, and reinforces American values. She writes of books as weapons to spread ideas, and counter actions meant to curtail freedom. But she also states that tales of war talk of motherhood or a woman’s love for soldiers &ndashbut not a woman’s love for soldiering. There is nothing about motherhood in the military culture, but there is the need to fight for mother.

The professor adds that today’s military culture has conflated military missions with spiritual missions; soldiers become instructed to regain faith when there seems to be little cause for faith. However, that might be necessary instruction to lead at a time when officers, enlisted and veterans are questioning our nation’s involvement in Iraq, a war that they believe to be unnecessary.

This faith extends to open displays of the Seven Army Values: Loyalty, Duty, Respect, Selfless Service, Honor, Integrity and Personal Courage. Soldiers tape the Values to their dog tags. Soldiers also display the Soldier’s Creed, officially posted in 2003:

I will always place the mission first

I will never accept defeat

I will never quit

I will never leave behind a fallen comrade.

The Values and the Creed are possible not only because of the culture, but also because our soldiers are professionals who have chosen to serve. Samet sites one Army study that mentions that professional soldiers still fight for each other, as they did, for example in World War II, but they also accept the responsibility that Army has entrusted to them.

The Army, as an institution, has had mottos and mission statements longer than most American businesses, and has a culture where everyone must live by them. Some of the most successful corporations have copied the military’s strengths&ndash and some of its imperfections. According to two online employment sites, GIJobs and CollegeGrad, 24 of the Top 50 Military Friendly Employers in 2007 also hired 100 or more college graduates for their entry-level positions. It is safe to say that these companies use the same values to develop and retain their entry-level and military transitional hires.

Which brings me to the next question: can those without the military orientation become as successful in these firms as those who have served with honor? The answer, according to Alex Frankel’s Punching In, is sometimes, if you can get along to go along.

Values, missions, attention to detail and duty are part of the dialogue in Punching In, another work where an outsider looks inside, and serves on the front lines of indoctrination into corporate culture.

Frankel worked in entry-level customer service positions at United Parcel Service (UPS), Enterprise Rent-A-Car, The Gap, Starbucks and The Apple Store, took online aptitude tests with two retailers: Best Buy and Home Depot and went through the lengthy interview processes at The Container Store and Whole Foods.

Like the Army, these corporations try to engage and turn their workers into fanatical and loyal employees. Interestingly enough, he refers to front-line workers as the Brand Army of these firms and called UPS the Other Army, because of the company’s esprit de coir and the spit and polish appearance of the front-line workers. Both the Army and UPS do not accept alteration, recreational display or desecration of their uniform.

Frankel respected UPS more than the other organizations, because their workers, especially the drivers, were the most trusted. He adds that this is necessary because UPS workers are all in the field. They can track their locations, but any problems must be solved on route. Each driver and their helper is like a platoon of soldiers; they must follow orders, but they have some lee way in how to execute them.

Frankel did not say the same about the other organizations. For example, he praised Enterprise’s efforts to motivate workers to believe that they can advance from desk clerks to regional managers &ndash though he adds that further advancement is less possible. The company hires approximately 8,000 entry-level employees, although the rest of the work force is no larger.

Frankel shows how Starbucks has become a “third place,” a neighborhood-meeting place away from home and work, but believes this will be a difficult strategy to maintain because of the standardized appearance of the thousands of stores and employees. He considers Apple Stores to be an excellent setting for those who are already fans of the technology; they need little indoctrination and training as well. And he shows The Gap to be little different from other retailers who are loathed by retail workers, a company bent on standards and policies that put store design first, product second, credit card sales third and the employees last.

Like the Army, these organizations have a uniform, policies and shared values, but unlike the Army, they can hire and fire at will. It was interesting that Frankel conveyed the most respect for the organization that was the most like the Army.

Given UPS’ success &ndash the company maintains 80 percent market share against several large competitors, including the U.S. Postal Services &ndash that’s quite a complement for our troops and the men and women who lead them.

Every once in a while a writer comes along that demands we take notice; one that avails just the right meter, tempo, and rhythm; one that can engulf us in a story and keep us glued throughout 200 pages; one that offers a style sure to be emulated by his aspiring peers, both of his generation and generations to come.

Nelson Pahl is just that writer.

With simultaneous debut releases, entitled Bee Balms & Burgundy and Two for Tuesday, Pahl flexes a literary muscle short in supply today&ndashone that whispers, “legend in the making.”

Although the hardcover version of Bee Balms & Burgundy won’t hit stores until March, I had the pleasure of reading the pre-release, limited edition eBook version, which is available at .NelsonPahl.com and .IndieMill.com. There, you can even read a sample chapter, to whet your appetite.

Bee Balms & Burgundy is a charming story of latent lifelong love and the quest to conquer all that stands in its way. Nick May is a successful thirty-two-year-old entrepreneur living in Vancouver. He breaks off an explosive, distrusting eleven-month live-in relationship just before he travels home to St. Paul to see his widowed mother. The relationship leaves him cynical about love, to say the least. Once in St. Paul, he discovers next-door neighbor and lifelong pal Mia Lawson, 30, has a couple secrets she’s been dying to share with him. One, unbeknownst to Nick, is that she’s now a post-mastectomy breast cancer survivor, still hoping to conquer her disease. The second secret levels Nick even more.

Pahl not only delves into the oft-taboo topic of breast cancer with literary vigor, but he also revels in it, astutely capturing the female emotions attached to such a dreadful experience. The chemistry between his two main characters borders on the divine, as we ride along upon an always charming but sometimes heartbreaking chariot through Nicky and Mia’s sensual and ethereal yet trying world.

While Indie Nation Magazine bills the book as “…the best love story you’ll read this year,” I beg to differ, slightly; I’ll argue that it might be the best love story you ever read. Bee Balms courageously delves into a subject today’s “socially conscious” novelists won’t go near, and it treats the topic with grace, dignity, depth, and, yes, even endearing sensuality.

Pahl is a wonderful example of why some of America’s best writers now insist on writing for independent presses: A major publishing house would only shackle his rich and witty writing style and subdue his “outside-the-box” storytelling.

Yet, Pahl’s strict and uncommon literary discipline&ndashalong with his hand for sensuous descriptive writing and well-crafted dialogue&ndashmake him one of the very best writers in today’s fiction scene, indie lit or mainstream. His concise and fluid prose grip the reader from the onset, and then move him or her through the story with liberating ease and optimum intrigue. Through his articulate and warm first-person narrative, we see, feel, hear, smell, and taste everything; we live inside his fictional world; we are the characters.

Nelson Pahl’s writing style single-handedly restores my faith in today’s literature. Consider Bee Balms & Burgundy an essential inclusion to any A-list catalogue.

And, do yourself a favor: Say you read him before the world knew about him&ndashor, before he wins a Pulitzer.

Landmark Status is a wonderfully funny book. Alan Rolnick uses Miami as the backdrop, and real estate as the weapon, to take the reader on a madcap journey that I can guarantee you will enjoy. When I put the put the book down and wrote the review, I just knew I wanted to talk to this guy. Anyone that can create the outlandish characters and amazingly funny scenes that I encountered in Landmark Status, has to be a pretty interesting person to chat with. Alan agreed to an interview.

Can you tell us a little about yourself?

I grew up in Newburgh, New York, a little city on the Hudson River. It was a beautiful place, old, proud and mostly unaware it had been rendered obsolete, cut loose from history’s moorings and set adrift by changing times. As a kid, I played in an abandoned brewery, took bus trips to Yankee Stadium and collected autographs from Hector Lopez and Moose Skowron (we never could get close enough to Mickey and Yogi). One time, a big kid sat on my hand for the entire bus ride, leaving corduroy-striped welts that lasted a week, but it really wasn’t his fault I couldn’t throw strikes.

In my teens, Beatlemania struck. My brother Paul and I decided to be rock stars, saving for guitars with car wash money, playing battles of the bands on the firemen’s picnic circuit. Paul was an outstanding guitarist and singer, destined to become an award-winning producer in New York. I wasn’t, but joined him there after graduating from Johns Hopkins with a major in Frisbee. Together, we made brilliant recordings that few heard, earned fifty bucks opening for Buffy St. Marie at Philharmonic Hall, and fortuitously took the equipment home instead of leaving it for next weekend’s gig at the Mercer Arts Center (which collapsed later that night).

Taking up journalism to put myself through my career, I became the guy at the New York Times who used computers to rank college and pro football teams. In 1983, the human pollsters awarded the Miami Hurricanes the National Championship, but my computer preferred Auburn. I’d been to Miami, fallen in love with the place, and decided it was time to go to law school (as my family had urged since I was six, usually with comments like, “he talks so much, he’s gonna be a lawyer”). The idea of living where balmy breezes caress you on the way out the door in December was particularly appealing.

Atoning for my computer’s mistake, I learned torts in locked classrooms and pulled all-nighters on the Law Review, winning induction into the Society of Wig and Robe (which, fortunately, required wearing neither). After twenty years of schooling, they put me on the day shift, working at one of Miami’s top legal sweatshops, representing robber barons in complex cases in federal court. Years later, I switched sides and began representing Davids against Goliaths in class actions.

Eventually, I decided it was time to throw a rope around the places I’d met and the people I’d been, and set out to write the kind of story I liked to read.

What is it with attorneys, are you all closet authors? In the past year I have read at least a dozen books by people in the profession, oh and they have all been very good. I have come to the conclusion that every lawyer must have a book in them.

Jeez, are there that many? Seriously, though, lawyers have to write to eat, and they’re trained to turn “fact patterns” into stories. Many of those stories are stranger than fiction, and they do make you yearn to come up with your own. Storytelling is crucial in litigation, where winning requires framing compelling themes, keeping witnesses in character, and distilling every legal argument to the pithiest possible paragraph. One classmate used to say he aimed for hearing the imagined words, “so, f___ you,” after every sentence of written argument. The unifying experience of all law students is fatigue, so I’m not surprised he’s forgotten he said it.

Where did the idea for Landmark Status come from?

Miami’s a frontier town, where outsiders easily become insiders, bellying up to the bar, tipping back a mojito and quickly learning there’s no secret handshake. I’d never been in such a place, and my legal training had dropped me off in its inner sanctum. There, I worked and tangled with kaleidoscopically colorful movers and shakers who were busy with Miami’s principal business, buying and selling the same dirt over and over again. I also got involved in litigating some of Miami’s more infamous Ponzi schemes. Having become a fan of Elmore Leonard, Carl Hiaasen and Dave Barry, I wanted to do my part to honor this unique, subtropical nuthouse. It just had to involve a mad scramble for a piece of property, set against a backdrop of investment fraud. And it had to have a lawyer in the middle, doing real lawyering, citing real cases.

How long did it take you to bring this project to fruition?

Five years. It just seems longer.

I was very impressed with Landmark Status, I love the dark humor. Are you happy with the way it turned out?

First of all, thank you for the kind words. It’s always hard to know if the material is working! And yes, I’m very happy with the way the book turned out. Dark humor seems to grow wild here, a place so bright and beautiful it takes your breath away, even when random catastrophe is poised to strike, well, randomly. Miami is a city built by people on the run, from the cold, from persecution or personal dead ends, for whom making it to (and in) this magic city tends to foster a sort of self-absorbed sunstroke. It’s a narcissistic sense of safety and triumph you can feel merely by turning your face to the sun, until reality’s sudden impact shatters your daydream. This happens a lot in Landmark Status, starting with the wrecking ball in the first scene.

As the characters careen around Miami, where most folks are from somewhere else and ethnic politics dominates, they also collide with more serious questions about the American Creed and what’s happened to it in our fractious times. Everyone’s immigrant story gets told, but Delia, and to a lesser extent, Benjy and Raj, are the only ones thinking about what it all means. I really didn’t set out to explore Miami’s own origin story, how it came to be, who built it, and who came here when or why. But, as it unfolded, the story became a little more like “Hawaii” and a little less like “Hawaii Five-O” (tire-squealing car chase through Opa-locka notwithstanding). Looking back, I think giving the historical perspective makes it a richer story. It also means I don’t have to do it again.

Most authors style their characters after real people, so how much Benjy comes from Alan?

Benjy’s a lot more mellow than I am, for one thing. I’d like to think we share the almost unspoken inner sense of right and wrong that propels him, even though he makes light of it. I’m proud of him for that, because swimming against the tide he’s in isn’t easy. He also tends to withhold judgment a lot longer than I would, and suffers fools much more gladly than I do. He hates to lose, though, and will do what’s necessary to win, and we’re very alike in that respect. I enjoy his easygoing tolerance of the shenanigans of the connivers all around him. I have no idea where he got that. And that trust fund thing? Completely made up. All donations will be gratefully accepted.

Are we going to see more Benjy adventures in your next book?

Benjy will definitely be back. Once I figure out how to do this whole web publishing thing, clues to his whereabouts will be provided at my website (Alan Rolnick).

I remarked in my review that Landmark Status would transition nicely onto the silver screen, what are your thoughts?

It’s great to hear you suggest that. From the beginning, I’ve thought Landmark Status would make a smashing film (with apologies to the Spanish Inquisition sketch). I see pictures when I set a scene, and I’m looking forward to rendering them in pixels as well as words. Of course, destroying all those cars costs money, so we won’t be doing this one on a shoestring. Somewhere on my desk, there’s a legal pad devoted to casting choices and music cues. If it were a few years ago, I’d be chasing Dustin Hoffman to play Benjy, but I hope he’ll be interested in playing Benjy’s father Bernard, the legendary zoning lawyer and dealmaker.

I understand that you are currently working on a film project, can you tell us a little about that?

I’m Executive Producer of the film “Canvas,” which is in theaters now and will be out on DVD early next year. Produced by Sharon Lane (a force of nature, to whom I’m privileged to be married), it stars Joe Pantoliano, Marcia Gay Harden and Devon Gearhart. The film has won a number of festival awards, as well as praise for its realistic portrayal of a family struggling to cope with mental illness. Sharon fought for years to overcome studio apathy toward this indie film and first-time Director Joe Greco. We ultimately raised the money and shot it ourselves in South Florida during the legendary hurricane season of 2005, which almost blew us all out to sea. Sharon has another drama in development that also plays to her expertise in managing and working with young actors. I’m onboard for business and legal affairs, and just might Exec Produce this one, too. I’m angling for a comedy after that.

You obviously are a multi faceted person, lawyer, movie maker, and now author. What do you do with all your ’spare’ time?

I honestly don’t have much spare time. I’m usually fighting to carve some out to keep up with our overbooked son, Max, who’s busy with school, piano lessons, soccer and baseball.

Alan, I want to thank you very much for taking the time to talk with me, and once again congratulations on creating a wonderful book, I hope that I see it on the NYT best seller list in the very near future.

Thanks, Simon. It was a pleasure.

Every once in a while a writer comes along that demands we take notice; one that avails just the right meter, tempo, and rhythm; one that can engulf us in a story and keep us glued throughout 200 pages; one that offers a style sure to be emulated by his aspiring peers, both of his generation and generations to come.

Nelson Pahl is just that writer.

With simultaneous debut releases, entitled Bee Balms & Burgundy and Two for Tuesday, Pahl flexes a literary muscle short in supply today&ndashone that whispers, “legend in the making.”

Although the hardcover version of Bee Balms & Burgundy won’t hit stores until March, I had the pleasure of reading the pre-release, limited edition eBook version, which is available at .NelsonPahl.com and .IndieMill.com. There, you can even read a sample chapter, to whet your appetite.

Bee Balms & Burgundy is a charming story of latent lifelong love and the quest to conquer all that stands in its way. Nick May is a successful thirty-two-year-old entrepreneur living in Vancouver. He breaks off an explosive, distrusting eleven-month live-in relationship just before he travels home to St. Paul to see his widowed mother. The relationship leaves him cynical about love, to say the least. Once in St. Paul, he discovers next-door neighbor and lifelong pal Mia Lawson, 30, has a couple secrets she’s been dying to share with him. One, unbeknownst to Nick, is that she’s now a post-mastectomy breast cancer survivor, still hoping to conquer her disease. The second secret levels Nick even more.

Pahl not only delves into the oft-taboo topic of breast cancer with literary vigor, but he also revels in it, astutely capturing the female emotions attached to such a dreadful experience. The chemistry between his two main characters borders on the divine, as we ride along upon an always charming but sometimes heartbreaking chariot through Nicky and Mia’s sensual and ethereal yet trying world.

While Indie Nation Magazine bills the book as “…the best love story you’ll read this year,” I beg to differ, slightly; I’ll argue that it might be the best love story you ever read. Bee Balms courageously delves into a subject today’s “socially conscious” novelists won’t go near, and it treats the topic with grace, dignity, depth, and, yes, even endearing sensuality.

Pahl is a wonderful example of why some of America’s best writers now insist on writing for independent presses: A major publishing house would only shackle his rich and witty writing style and subdue his “outside-the-box” storytelling.

Yet, Pahl’s strict and uncommon literary discipline&ndashalong with his hand for sensuous descriptive writing and well-crafted dialogue&ndashmake him one of the very best writers in today’s fiction scene, indie lit or mainstream. His concise and fluid prose grip the reader from the onset, and then move him or her through the story with liberating ease and optimum intrigue. Through his articulate and warm first-person narrative, we see, feel, hear, smell, and taste everything; we live inside his fictional world; we are the characters.

Nelson Pahl’s writing style single-handedly restores my faith in today’s literature. Consider Bee Balms & Burgundy an essential inclusion to any A-list catalogue.

And, do yourself a favor: Say you read him before the world knew about him&ndashor, before he wins a Pulitzer.

Landmark Status is a wonderfully funny book. Alan Rolnick uses Miami as the backdrop, and real estate as the weapon, to take the reader on a madcap journey that I can guarantee you will enjoy. When I put the put the book down and wrote the review, I just knew I wanted to talk to this guy. Anyone that can create the outlandish characters and amazingly funny scenes that I encountered in Landmark Status, has to be a pretty interesting person to chat with. Alan agreed to an interview.

Can you tell us a little about yourself?

I grew up in Newburgh, New York, a little city on the Hudson River. It was a beautiful place, old, proud and mostly unaware it had been rendered obsolete, cut loose from history’s moorings and set adrift by changing times. As a kid, I played in an abandoned brewery, took bus trips to Yankee Stadium and collected autographs from Hector Lopez and Moose Skowron (we never could get close enough to Mickey and Yogi). One time, a big kid sat on my hand for the entire bus ride, leaving corduroy-striped welts that lasted a week, but it really wasn’t his fault I couldn’t throw strikes.

In my teens, Beatlemania struck. My brother Paul and I decided to be rock stars, saving for guitars with car wash money, playing battles of the bands on the firemen’s picnic circuit. Paul was an outstanding guitarist and singer, destined to become an award-winning producer in New York. I wasn’t, but joined him there after graduating from Johns Hopkins with a major in Frisbee. Together, we made brilliant recordings that few heard, earned fifty bucks opening for Buffy St. Marie at Philharmonic Hall, and fortuitously took the equipment home instead of leaving it for next weekend’s gig at the Mercer Arts Center (which collapsed later that night).

Taking up journalism to put myself through my career, I became the guy at the New York Times who used computers to rank college and pro football teams. In 1983, the human pollsters awarded the Miami Hurricanes the National Championship, but my computer preferred Auburn. I’d been to Miami, fallen in love with the place, and decided it was time to go to law school (as my family had urged since I was six, usually with comments like, “he talks so much, he’s gonna be a lawyer”). The idea of living where balmy breezes caress you on the way out the door in December was particularly appealing.

Atoning for my computer’s mistake, I learned torts in locked classrooms and pulled all-nighters on the Law Review, winning induction into the Society of Wig and Robe (which, fortunately, required wearing neither). After twenty years of schooling, they put me on the day shift, working at one of Miami’s top legal sweatshops, representing robber barons in complex cases in federal court. Years later, I switched sides and began representing Davids against Goliaths in class actions.

Eventually, I decided it was time to throw a rope around the places I’d met and the people I’d been, and set out to write the kind of story I liked to read.

What is it with attorneys, are you all closet authors? In the past year I have read at least a dozen books by people in the profession, oh and they have all been very good. I have come to the conclusion that every lawyer must have a book in them.

Jeez, are there that many? Seriously, though, lawyers have to write to eat, and they’re trained to turn “fact patterns” into stories. Many of those stories are stranger than fiction, and they do make you yearn to come up with your own. Storytelling is crucial in litigation, where winning requires framing compelling themes, keeping witnesses in character, and distilling every legal argument to the pithiest possible paragraph. One classmate used to say he aimed for hearing the imagined words, “so, f___ you,” after every sentence of written argument. The unifying experience of all law students is fatigue, so I’m not surprised he’s forgotten he said it.

Where did the idea for Landmark Status come from?

Miami’s a frontier town, where outsiders easily become insiders, bellying up to the bar, tipping back a mojito and quickly learning there’s no secret handshake. I’d never been in such a place, and my legal training had dropped me off in its inner sanctum. There, I worked and tangled with kaleidoscopically colorful movers and shakers who were busy with Miami’s principal business, buying and selling the same dirt over and over again. I also got involved in litigating some of Miami’s more infamous Ponzi schemes. Having become a fan of Elmore Leonard, Carl Hiaasen and Dave Barry, I wanted to do my part to honor this unique, subtropical nuthouse. It just had to involve a mad scramble for a piece of property, set against a backdrop of investment fraud. And it had to have a lawyer in the middle, doing real lawyering, citing real cases.

How long did it take you to bring this project to fruition?

Five years. It just seems longer.

I was very impressed with Landmark Status, I love the dark humor. Are you happy with the way it turned out?

First of all, thank you for the kind words. It’s always hard to know if the material is working! And yes, I’m very happy with the way the book turned out. Dark humor seems to grow wild here, a place so bright and beautiful it takes your breath away, even when random catastrophe is poised to strike, well, randomly. Miami is a city built by people on the run, from the cold, from persecution or personal dead ends, for whom making it to (and in) this magic city tends to foster a sort of self-absorbed sunstroke. It’s a narcissistic sense of safety and triumph you can feel merely by turning your face to the sun, until reality’s sudden impact shatters your daydream. This happens a lot in Landmark Status, starting with the wrecking ball in the first scene.

As the characters careen around Miami, where most folks are from somewhere else and ethnic politics dominates, they also collide with more serious questions about the American Creed and what’s happened to it in our fractious times. Everyone’s immigrant story gets told, but Delia, and to a lesser extent, Benjy and Raj, are the only ones thinking about what it all means. I really didn’t set out to explore Miami’s own origin story, how it came to be, who built it, and who came here when or why. But, as it unfolded, the story became a little more like “Hawaii” and a little less like “Hawaii Five-O” (tire-squealing car chase through Opa-locka notwithstanding). Looking back, I think giving the historical perspective makes it a richer story. It also means I don’t have to do it again.

Most authors style their characters after real people, so how much Benjy comes from Alan?

Benjy’s a lot more mellow than I am, for one thing. I’d like to think we share the almost unspoken inner sense of right and wrong that propels him, even though he makes light of it. I’m proud of him for that, because swimming against the tide he’s in isn’t easy. He also tends to withhold judgment a lot longer than I would, and suffers fools much more gladly than I do. He hates to lose, though, and will do what’s necessary to win, and we’re very alike in that respect. I enjoy his easygoing tolerance of the shenanigans of the connivers all around him. I have no idea where he got that. And that trust fund thing? Completely made up. All donations will be gratefully accepted.

Are we going to see more Benjy adventures in your next book?

Benjy will definitely be back. Once I figure out how to do this whole web publishing thing, clues to his whereabouts will be provided at my website (Alan Rolnick).

I remarked in my review that Landmark Status would transition nicely onto the silver screen, what are your thoughts?

It’s great to hear you suggest that. From the beginning, I’ve thought Landmark Status would make a smashing film (with apologies to the Spanish Inquisition sketch). I see pictures when I set a scene, and I’m looking forward to rendering them in pixels as well as words. Of course, destroying all those cars costs money, so we won’t be doing this one on a shoestring. Somewhere on my desk, there’s a legal pad devoted to casting choices and music cues. If it were a few years ago, I’d be chasing Dustin Hoffman to play Benjy, but I hope he’ll be interested in playing Benjy’s father Bernard, the legendary zoning lawyer and dealmaker.

I understand that you are currently working on a film project, can you tell us a little about that?

I’m Executive Producer of the film “Canvas,” which is in theaters now and will be out on DVD early next year. Produced by Sharon Lane (a force of nature, to whom I’m privileged to be married), it stars Joe Pantoliano, Marcia Gay Harden and Devon Gearhart. The film has won a number of festival awards, as well as praise for its realistic portrayal of a family struggling to cope with mental illness. Sharon fought for years to overcome studio apathy toward this indie film and first-time Director Joe Greco. We ultimately raised the money and shot it ourselves in South Florida during the legendary hurricane season of 2005, which almost blew us all out to sea. Sharon has another drama in development that also plays to her expertise in managing and working with young actors. I’m onboard for business and legal affairs, and just might Exec Produce this one, too. I’m angling for a comedy after that.

You obviously are a multi faceted person, lawyer, movie maker, and now author. What do you do with all your ’spare’ time?

I honestly don’t have much spare time. I’m usually fighting to carve some out to keep up with our overbooked son, Max, who’s busy with school, piano lessons, soccer and baseball.

Alan, I want to thank you very much for taking the time to talk with me, and once again congratulations on creating a wonderful book, I hope that I see it on the NYT best seller list in the very near future.

Thanks, Simon. It was a pleasure.