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Is it better to participate in content writing or write for magazine publication?

The above question is actually multifaceted and can help you determine the overall thrust of your freelance writing career.

It has been estimated that a writer will need to pen a million words before a publisher is likely to accept their first work. That means a lot of rejection slips.

So, does that imply that content writing is preferred to the crafting of a book or magazine article?

Well not exactly. Content writing is a means of addressing a short-term need. If the immediate need is cash, then content writing might provide the answer. However, if you are looking for a means of affecting long-term royalty payments or a greater flexibility in the ownership of your material you may look at other publishing options.

When you agree to write content for a client you are essentially providing a service for hire. Once you release the article or story to the client and they reciprocate with a payment you have no further interest in the article. You can’t use it again and you will gain no further payment for its ongoing use.

When you write a story for potential use in a book anthology, or a full manuscript for publication, you may have a variety of rights to consider.

If you are the author of a story, you can negotiate with a publisher for the rights you are willing to provide. You could provide First North American Rights, which would allow you to resell the story in the future as a second right, but you would also have the capability of selling first rights to someone else on an international basis. Nonexclusive rights allow you to continue selling the material with the same rights to as many publishers as are interested.

As we venture back to the original question it is important to understand that freelanced writing can and should be a balanced approach to writing. If it takes you a million words before you find publishing success why not make some of those words available to a paying content market to provide some skills-based writing while you work on other projects that are more personal and may have the potential to provide long-term residual payments.

A writer should always find time to write about the things they are passionate about, however the service of content writing provides a means of gaining some writing income while learning new skills and writing techniques while you are waiting for a publisher’s acceptance letter.

A novel way for a writer to keep prospects and fans in the loop on their progress as a writer is through the use of a web log or ‘Blog’.

“This notion of self-publishing, which is what Blogger and blogging are really about, is the next big wave of human communication. The last big wave was Web activity. Before that one it was e-mail.” &ndash Eric Schmidt

This online tool has allowed many writers to share thoughts, humor, politics, and more with any and all who would visit. Since the Internet is a device of connectivity it also allows for immediate feedback in ways standard publishing cannot offer.

Essentially the web has created a means for someone who has not been discovered to find an audience who is interested in what they have to say.

For some, a blog is intended to be private in that they do not promote the blog for mass consumption, however with the growth of blogging it has become more difficult to ensure your blog will remain essentially a private journal.

As Eric Schmidt pointed out, blogging has become a form of self-publishing. In this case the author becomes the editor and publisher and has total artistic control. The use of Google Adsense can also provide residual income to help pay for any costs associated with your blog.

A blog can be very useful to a writer. It provides an outlet for regular writing, but it also allows people who enjoy your work to take in your regular posts and feel a greater connection to you. Some random blog-thought has been transformed by their owners into long form articles and stories.

“At its best, blogging is all about change. The format suits writers who want to move fast.” &ndash Naomi Darvell

Many blogging sites allow the use of photographs and audio. For instance, if you had a book signing you could use photos from the event in the body of your blog. If you have a recording of a portion of your book that you are authorized to rebroadcast it also can be placed in your blog. Links can be provided to encourage visitors to check out similar blogs by other writing friends &ndash and best of all a blog can assist visitors in finding where they may find other work you’ve produced along with information on how to purchase any available books you may have.

People who enjoy reading blogs will find a circle of blogs that entertain, inspire, and make them think or laugh. Having a blog that is tied into a personal website can go a long way in connecting with those who may already have an appreciation for your work.

A novel way for a writer to keep prospects and fans in the loop on their progress as a writer is through the use of a web log or ‘Blog’.

“This notion of self-publishing, which is what Blogger and blogging are really about, is the next big wave of human communication. The last big wave was Web activity. Before that one it was e-mail.” &ndash Eric Schmidt

This online tool has allowed many writers to share thoughts, humor, politics, and more with any and all who would visit. Since the Internet is a device of connectivity it also allows for immediate feedback in ways standard publishing cannot offer.

Essentially the web has created a means for someone who has not been discovered to find an audience who is interested in what they have to say.

For some, a blog is intended to be private in that they do not promote the blog for mass consumption, however with the growth of blogging it has become more difficult to ensure your blog will remain essentially a private journal.

As Eric Schmidt pointed out, blogging has become a form of self-publishing. In this case the author becomes the editor and publisher and has total artistic control. The use of Google Adsense can also provide residual income to help pay for any costs associated with your blog.

A blog can be very useful to a writer. It provides an outlet for regular writing, but it also allows people who enjoy your work to take in your regular posts and feel a greater connection to you. Some random blog-thought has been transformed by their owners into long form articles and stories.

“At its best, blogging is all about change. The format suits writers who want to move fast.” &ndash Naomi Darvell

Many blogging sites allow the use of photographs and audio. For instance, if you had a book signing you could use photos from the event in the body of your blog. If you have a recording of a portion of your book that you are authorized to rebroadcast it also can be placed in your blog. Links can be provided to encourage visitors to check out similar blogs by other writing friends &ndash and best of all a blog can assist visitors in finding where they may find other work you’ve produced along with information on how to purchase any available books you may have.

People who enjoy reading blogs will find a circle of blogs that entertain, inspire, and make them think or laugh. Having a blog that is tied into a personal website can go a long way in connecting with those who may already have an appreciation for your work.

In poetic literature you will often find a poem that seems to be inviting the reader to participate in an adventure or a love story. The use of ‘you’ is evident in the poetry, but in most cases the reader understands that the poem is written to a third party and the author is simply allowing you the opportunity to read these moments of intimate conversation.

Possessives in poetry, marked by an apostrophe, are a way to understand that the poem is written for and to another person &ndash even when written from a first person perspective.

There is, however, a unique form of writing called Authorial Intrusion that will find the author breaking away from the storyline and speaking directly to the reader. This technique is sometimes used to take a work of fiction and make it seem somehow real. This is accomplished when the storyteller breaks from the action to talk directly with you.

Authorial Intrusion can also be used in poetry and is used extensively in persuasive essays. In fact, in essays Authorial Intrusion is often used as a means of allowing a personal voice of persuasion to assist in the point being argued.

You can see the use of Authorial Intrusions in old detective movies where they step out of the shadows and talk to the audience about what they are thinking. This particular adaptation has been used for comic effect in recent years as it has been used extensively in film parodies.

As film and fiction writing have matured the use of Authorial Intrusion has diminished. Sometimes Authorial Intrusions make a work seem amateurish simply because the audience is informed of an impending scenario just before the scenario plays out. It can come across as redundant and unnecessary.

Here’s a short example of Authorial Intrusion…

“Ben had assumed there was nothing to fear on the plateau, but he didn’t see the grizzly bear approaching from behind.”

This particular example really isn’t needed in the context of the story. If the story is indeed Ben’s then allow the reader to experience the emotions Ben has when he makes the surprising discovery.

In the case of fiction writing Authorial Intrusions should be minimal in a worst-case scenario and eliminated altogether in a perfect world. When you choose a Point of View in which to tell the story it is best to allow that voice to remain as consistent as possible throughout the narrative.

In poetic literature you will often find a poem that seems to be inviting the reader to participate in an adventure or a love story. The use of ‘you’ is evident in the poetry, but in most cases the reader understands that the poem is written to a third party and the author is simply allowing you the opportunity to read these moments of intimate conversation.

Possessives in poetry, marked by an apostrophe, are a way to understand that the poem is written for and to another person &ndash even when written from a first person perspective.

There is, however, a unique form of writing called Authorial Intrusion that will find the author breaking away from the storyline and speaking directly to the reader. This technique is sometimes used to take a work of fiction and make it seem somehow real. This is accomplished when the storyteller breaks from the action to talk directly with you.

Authorial Intrusion can also be used in poetry and is used extensively in persuasive essays. In fact, in essays Authorial Intrusion is often used as a means of allowing a personal voice of persuasion to assist in the point being argued.

You can see the use of Authorial Intrusions in old detective movies where they step out of the shadows and talk to the audience about what they are thinking. This particular adaptation has been used for comic effect in recent years as it has been used extensively in film parodies.

As film and fiction writing have matured the use of Authorial Intrusion has diminished. Sometimes Authorial Intrusions make a work seem amateurish simply because the audience is informed of an impending scenario just before the scenario plays out. It can come across as redundant and unnecessary.

Here’s a short example of Authorial Intrusion…

“Ben had assumed there was nothing to fear on the plateau, but he didn’t see the grizzly bear approaching from behind.”

This particular example really isn’t needed in the context of the story. If the story is indeed Ben’s then allow the reader to experience the emotions Ben has when he makes the surprising discovery.

In the case of fiction writing Authorial Intrusions should be minimal in a worst-case scenario and eliminated altogether in a perfect world. When you choose a Point of View in which to tell the story it is best to allow that voice to remain as consistent as possible throughout the narrative.

It may be the hope of all who have ever put pen to paper that they might be able to write on a full-time basis. The romantic notion of a writer’s life is compelling enough to many to find them seeking ways to make a living by crafting the written word.

David Boles is the publisher and Editor-in-Chief of Go Inside Magazine. Boles indicates his day starts at 8:00 a.m. and he rarely finishes writing until midnight. Boles has additional words of wisdom for new writers.

1. You will not get rich overnight

Some of Boles’ advice runs counter to the idealistic notion of what a writer’s life is supposed to be, “The best thing you can do to prepare yourself for the life of a writer is to make certain you have a steady form of income that will cover your monthly nut.”

2. Creativity may be overrated

Boles also indicates creativity is less about devising something altogether new and more about a willingness to find new ingredients for an old recipe, “There’s nothing new in the world and good writing is simply reinventing what has come before you in a new and delightful way.”

3. Muse cooperation is not optional

While many writers feel that creative inspiration is required if you are to write anything of meaning, Boles has a more pragmatic approach to writing, “Making yourself sit down and create is more important than the desire to write.”

4. An understanding spouse is worth their weight in gold

When you sit in front of your word processor for hours on end it may be difficult for others to see how what you are doing has much meaning, but Boles indicates if you are called to write you should, “Find someone who understands your need to write — for writing is a lonesome life and sharing that isolation with someone who unconditionally accepts your Calling is paramount to protecting your sanity and career.”

5. Writer’s Block

Boles has some very straightforward advice for those who may feel they are experiencing a season of writer’s block, “Write. Just write. There is nothing else.”

It should be clear that the life of a writer is not a pristine existence where creative thoughts are ever-present and publishers are always willing to publish your material. A writer’s life is hard work and rarely filled with instant gratification. However, for those who have experienced the call to write it is difficult to imagine a life lived any other way.

A paradigm has been described as “A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them.”

Each writer comes at their work with a certain paradigm at work. Each writer will write with a set of assumptions about the world around them, they will subconsciously include concepts and values they find imperative. In the broadest perspective possible each writer will express their worldview in some form or fashion through what they write. This may not happen in every piece, however when the entire body of work is evaluated carefully it becomes clear what the author truly believes to be true, noble and right.

In the realm of writing this concept is known as Context. This means that the author of any work lodges certain absolutes in virtually all areas of story construction. The story may include the writer’s philosophy of politics or their view of religion.

A strong example of this was The Da Vinci Code by Dan Brown. While the story is fictional, Mr. Brown confirms that he believes much of what he wrote to be true. Many have appreciated the storytelling ability of Dan Brown, but have a hard time accepting the context and assumptions of his work.

As a writer of faith it is quite likely the core values you possess will show up in ways both intentional and unplanned. J.R.R. Tolkien made a point of saying that his faith was not the intended context of his storytelling. Yet, the pages of the Lord of the Rings trilogy were filled with Judeo Christian values and attributions to the power and sacrifice of God which are consistent with his personal faith. I would argue that this fiction writer could not write something that denied his internal paradigm.

Most fiction writers are not trying to proselytize, they simply present a story and in the process their belief system leaks onto the pages. It’s to be expected.

From an historical perspective a look at world event at the time a classic literary work was published can assist us in learning the context of the work and the paradigm of the author.

World events and our personal response are a unique combination that affects the context of our writing. If we are struggling with certain local, region, national or even global issues we will likely find the context of our circumstances coupled with out beliefs will alter our writing and the assumptions we include.

For a serious student of literature an understanding of context can help decode a sense of the angst or joy the author was experiencing when writing their classic.

It may be the hope of all who have ever put pen to paper that they might be able to write on a full-time basis. The romantic notion of a writer’s life is compelling enough to many to find them seeking ways to make a living by crafting the written word.

David Boles is the publisher and Editor-in-Chief of Go Inside Magazine. Boles indicates his day starts at 8:00 a.m. and he rarely finishes writing until midnight. Boles has additional words of wisdom for new writers.

1. You will not get rich overnight

Some of Boles’ advice runs counter to the idealistic notion of what a writer’s life is supposed to be, “The best thing you can do to prepare yourself for the life of a writer is to make certain you have a steady form of income that will cover your monthly nut.”

2. Creativity may be overrated

Boles also indicates creativity is less about devising something altogether new and more about a willingness to find new ingredients for an old recipe, “There’s nothing new in the world and good writing is simply reinventing what has come before you in a new and delightful way.”

3. Muse cooperation is not optional

While many writers feel that creative inspiration is required if you are to write anything of meaning, Boles has a more pragmatic approach to writing, “Making yourself sit down and create is more important than the desire to write.”

4. An understanding spouse is worth their weight in gold

When you sit in front of your word processor for hours on end it may be difficult for others to see how what you are doing has much meaning, but Boles indicates if you are called to write you should, “Find someone who understands your need to write — for writing is a lonesome life and sharing that isolation with someone who unconditionally accepts your Calling is paramount to protecting your sanity and career.”

5. Writer’s Block

Boles has some very straightforward advice for those who may feel they are experiencing a season of writer’s block, “Write. Just write. There is nothing else.”

It should be clear that the life of a writer is not a pristine existence where creative thoughts are ever-present and publishers are always willing to publish your material. A writer’s life is hard work and rarely filled with instant gratification. However, for those who have experienced the call to write it is difficult to imagine a life lived any other way.

A paradigm has been described as “A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them.”

Each writer comes at their work with a certain paradigm at work. Each writer will write with a set of assumptions about the world around them, they will subconsciously include concepts and values they find imperative. In the broadest perspective possible each writer will express their worldview in some form or fashion through what they write. This may not happen in every piece, however when the entire body of work is evaluated carefully it becomes clear what the author truly believes to be true, noble and right.

In the realm of writing this concept is known as Context. This means that the author of any work lodges certain absolutes in virtually all areas of story construction. The story may include the writer’s philosophy of politics or their view of religion.

A strong example of this was The Da Vinci Code by Dan Brown. While the story is fictional, Mr. Brown confirms that he believes much of what he wrote to be true. Many have appreciated the storytelling ability of Dan Brown, but have a hard time accepting the context and assumptions of his work.

As a writer of faith it is quite likely the core values you possess will show up in ways both intentional and unplanned. J.R.R. Tolkien made a point of saying that his faith was not the intended context of his storytelling. Yet, the pages of the Lord of the Rings trilogy were filled with Judeo Christian values and attributions to the power and sacrifice of God which are consistent with his personal faith. I would argue that this fiction writer could not write something that denied his internal paradigm.

Most fiction writers are not trying to proselytize, they simply present a story and in the process their belief system leaks onto the pages. It’s to be expected.

From an historical perspective a look at world event at the time a classic literary work was published can assist us in learning the context of the work and the paradigm of the author.

World events and our personal response are a unique combination that affects the context of our writing. If we are struggling with certain local, region, national or even global issues we will likely find the context of our circumstances coupled with out beliefs will alter our writing and the assumptions we include.

For a serious student of literature an understanding of context can help decode a sense of the angst or joy the author was experiencing when writing their classic.