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Is it better to participate in content writing or write for magazine publication?

The above question is actually multifaceted and can help you determine the overall thrust of your freelance writing career.

It has been estimated that a writer will need to pen a million words before a publisher is likely to accept their first work. That means a lot of rejection slips.

So, does that imply that content writing is preferred to the crafting of a book or magazine article?

Well not exactly. Content writing is a means of addressing a short-term need. If the immediate need is cash, then content writing might provide the answer. However, if you are looking for a means of affecting long-term royalty payments or a greater flexibility in the ownership of your material you may look at other publishing options.

When you agree to write content for a client you are essentially providing a service for hire. Once you release the article or story to the client and they reciprocate with a payment you have no further interest in the article. You can’t use it again and you will gain no further payment for its ongoing use.

When you write a story for potential use in a book anthology, or a full manuscript for publication, you may have a variety of rights to consider.

If you are the author of a story, you can negotiate with a publisher for the rights you are willing to provide. You could provide First North American Rights, which would allow you to resell the story in the future as a second right, but you would also have the capability of selling first rights to someone else on an international basis. Nonexclusive rights allow you to continue selling the material with the same rights to as many publishers as are interested.

As we venture back to the original question it is important to understand that freelanced writing can and should be a balanced approach to writing. If it takes you a million words before you find publishing success why not make some of those words available to a paying content market to provide some skills-based writing while you work on other projects that are more personal and may have the potential to provide long-term residual payments.

A writer should always find time to write about the things they are passionate about, however the service of content writing provides a means of gaining some writing income while learning new skills and writing techniques while you are waiting for a publisher’s acceptance letter.

Is it better to participate in content writing or write for magazine publication?

The above question is actually multifaceted and can help you determine the overall thrust of your freelance writing career.

It has been estimated that a writer will need to pen a million words before a publisher is likely to accept their first work. That means a lot of rejection slips.

So, does that imply that content writing is preferred to the crafting of a book or magazine article?

Well not exactly. Content writing is a means of addressing a short-term need. If the immediate need is cash, then content writing might provide the answer. However, if you are looking for a means of affecting long-term royalty payments or a greater flexibility in the ownership of your material you may look at other publishing options.

When you agree to write content for a client you are essentially providing a service for hire. Once you release the article or story to the client and they reciprocate with a payment you have no further interest in the article. You can’t use it again and you will gain no further payment for its ongoing use.

When you write a story for potential use in a book anthology, or a full manuscript for publication, you may have a variety of rights to consider.

If you are the author of a story, you can negotiate with a publisher for the rights you are willing to provide. You could provide First North American Rights, which would allow you to resell the story in the future as a second right, but you would also have the capability of selling first rights to someone else on an international basis. Nonexclusive rights allow you to continue selling the material with the same rights to as many publishers as are interested.

As we venture back to the original question it is important to understand that freelanced writing can and should be a balanced approach to writing. If it takes you a million words before you find publishing success why not make some of those words available to a paying content market to provide some skills-based writing while you work on other projects that are more personal and may have the potential to provide long-term residual payments.

A writer should always find time to write about the things they are passionate about, however the service of content writing provides a means of gaining some writing income while learning new skills and writing techniques while you are waiting for a publisher’s acceptance letter.

I had an engaging conversation recently with a friend who writes for a living as I do. One question that came up from my friend to me was, “How do you write so often and so well?” Naturally, I appreciated his question and considered it to be a compliment. Goodness knows there have been times after I wrapped up a project that I wasn’t too confident about what I had written. But, that wasn’t his question. He also wanted to know how I write so prolifically. Read on and I will share some secrets with you.

When I write articles, I try to keep in mind that some person some where will likely snag my article and repost it elsewhere. I submit my articles to select submission sites knowing that I stand the best chance of seeing my articles peppered on web sites across the World Wide Web. With that in mind, I write with all of my heart by pouring passion into every single word that I write. I also know that what I write will be critiqued by future paying customers, so no junk is acceptable by me.

Clearly, writing prolifically means sticking with the topics I am most familiar with. Fortunately, as I glide through middle age [yeah, right] I have gained a much broader selection of topics to write about. I have worked in the nonprofit sector, retail, restaurant, and aviation environments. I have worked with men and women from what seems to be every tongue, tribe, and nation on earth. I have lived side by side and attended church with people from varying financial backgrounds. What I have really gained is a rich melting pot experience which has influenced my subject reach.

Once I find something I want to write about, I simply start writing. I don’t even write out an outline as much anymore as I usually have the topic sentence, body, and the conclusion already in my head. It is simply a matter of taking each part of the article and fleshing it out. Quickly and deliberately I usually come away with something that is concise, informative, and persuasive. Typically, I only need to partially rewrite any article once, making slight grammatical corrections and changing words or sentence structure as needed. No dilly dallying…I get right to the point.

Because I am regularly in the mood to write, this means I do my writing on a consistent basis. Because I write on a consistent basis, I gain consistently good results. Like a pianist, if I do not practice, practice, practice I will lose my edge and, thus, my delivery. Better to keep at something all the time then to rest too long and lose my spark. Consistent writing is profitable to me as it is to my clients who benefit the most from all of my hard work.

In poetic literature you will often find a poem that seems to be inviting the reader to participate in an adventure or a love story. The use of ‘you’ is evident in the poetry, but in most cases the reader understands that the poem is written to a third party and the author is simply allowing you the opportunity to read these moments of intimate conversation.

Possessives in poetry, marked by an apostrophe, are a way to understand that the poem is written for and to another person &ndash even when written from a first person perspective.

There is, however, a unique form of writing called Authorial Intrusion that will find the author breaking away from the storyline and speaking directly to the reader. This technique is sometimes used to take a work of fiction and make it seem somehow real. This is accomplished when the storyteller breaks from the action to talk directly with you.

Authorial Intrusion can also be used in poetry and is used extensively in persuasive essays. In fact, in essays Authorial Intrusion is often used as a means of allowing a personal voice of persuasion to assist in the point being argued.

You can see the use of Authorial Intrusions in old detective movies where they step out of the shadows and talk to the audience about what they are thinking. This particular adaptation has been used for comic effect in recent years as it has been used extensively in film parodies.

As film and fiction writing have matured the use of Authorial Intrusion has diminished. Sometimes Authorial Intrusions make a work seem amateurish simply because the audience is informed of an impending scenario just before the scenario plays out. It can come across as redundant and unnecessary.

Here’s a short example of Authorial Intrusion…

“Ben had assumed there was nothing to fear on the plateau, but he didn’t see the grizzly bear approaching from behind.”

This particular example really isn’t needed in the context of the story. If the story is indeed Ben’s then allow the reader to experience the emotions Ben has when he makes the surprising discovery.

In the case of fiction writing Authorial Intrusions should be minimal in a worst-case scenario and eliminated altogether in a perfect world. When you choose a Point of View in which to tell the story it is best to allow that voice to remain as consistent as possible throughout the narrative.

In poetic literature you will often find a poem that seems to be inviting the reader to participate in an adventure or a love story. The use of ‘you’ is evident in the poetry, but in most cases the reader understands that the poem is written to a third party and the author is simply allowing you the opportunity to read these moments of intimate conversation.

Possessives in poetry, marked by an apostrophe, are a way to understand that the poem is written for and to another person &ndash even when written from a first person perspective.

There is, however, a unique form of writing called Authorial Intrusion that will find the author breaking away from the storyline and speaking directly to the reader. This technique is sometimes used to take a work of fiction and make it seem somehow real. This is accomplished when the storyteller breaks from the action to talk directly with you.

Authorial Intrusion can also be used in poetry and is used extensively in persuasive essays. In fact, in essays Authorial Intrusion is often used as a means of allowing a personal voice of persuasion to assist in the point being argued.

You can see the use of Authorial Intrusions in old detective movies where they step out of the shadows and talk to the audience about what they are thinking. This particular adaptation has been used for comic effect in recent years as it has been used extensively in film parodies.

As film and fiction writing have matured the use of Authorial Intrusion has diminished. Sometimes Authorial Intrusions make a work seem amateurish simply because the audience is informed of an impending scenario just before the scenario plays out. It can come across as redundant and unnecessary.

Here’s a short example of Authorial Intrusion…

“Ben had assumed there was nothing to fear on the plateau, but he didn’t see the grizzly bear approaching from behind.”

This particular example really isn’t needed in the context of the story. If the story is indeed Ben’s then allow the reader to experience the emotions Ben has when he makes the surprising discovery.

In the case of fiction writing Authorial Intrusions should be minimal in a worst-case scenario and eliminated altogether in a perfect world. When you choose a Point of View in which to tell the story it is best to allow that voice to remain as consistent as possible throughout the narrative.

It may be the hope of all who have ever put pen to paper that they might be able to write on a full-time basis. The romantic notion of a writer’s life is compelling enough to many to find them seeking ways to make a living by crafting the written word.

David Boles is the publisher and Editor-in-Chief of Go Inside Magazine. Boles indicates his day starts at 8:00 a.m. and he rarely finishes writing until midnight. Boles has additional words of wisdom for new writers.

1. You will not get rich overnight

Some of Boles’ advice runs counter to the idealistic notion of what a writer’s life is supposed to be, “The best thing you can do to prepare yourself for the life of a writer is to make certain you have a steady form of income that will cover your monthly nut.”

2. Creativity may be overrated

Boles also indicates creativity is less about devising something altogether new and more about a willingness to find new ingredients for an old recipe, “There’s nothing new in the world and good writing is simply reinventing what has come before you in a new and delightful way.”

3. Muse cooperation is not optional

While many writers feel that creative inspiration is required if you are to write anything of meaning, Boles has a more pragmatic approach to writing, “Making yourself sit down and create is more important than the desire to write.”

4. An understanding spouse is worth their weight in gold

When you sit in front of your word processor for hours on end it may be difficult for others to see how what you are doing has much meaning, but Boles indicates if you are called to write you should, “Find someone who understands your need to write — for writing is a lonesome life and sharing that isolation with someone who unconditionally accepts your Calling is paramount to protecting your sanity and career.”

5. Writer’s Block

Boles has some very straightforward advice for those who may feel they are experiencing a season of writer’s block, “Write. Just write. There is nothing else.”

It should be clear that the life of a writer is not a pristine existence where creative thoughts are ever-present and publishers are always willing to publish your material. A writer’s life is hard work and rarely filled with instant gratification. However, for those who have experienced the call to write it is difficult to imagine a life lived any other way.

I rarely suffer from what writer’s complain about the most and that is: writer’s block. Oh, sure, if I must write on a subject that I am not familiar with, then a certain amount of trepidation and the occasional blankness will set in. Still, if I accept a project I do so believing that I know enough about the topic to produce a compelling piece. Writing isn’t difficult for most accomplished writers, but you must get started. Here are some things that help get me going:

If I am stuck, I write some sort of outline. Okay, maybe not a formal outline but something containing a topic sentence; 2, 3, or 4 main points; followed by a conclusion. As you can read there are three parts to any article: an introduction, the body, and a conclusion. Sometimes certain parts of the article I have more to write about than others. For example, I may have my main points for the body, but I don’t have the introductory part down just yet. No matter, I keep working on my outline until I get something solid.

Once I have all three pieces together, I start to write. Okay, I start to “type” as almost all of my writings are created from scratch via Microsoft Word. There was a time when I had to write on legal sized lined paper and then move it over to a word processor. No more. Today, I rarely “write” anything as I have gotten so accustomed to my laptop computer. Thanks, Dell!

When I am done writing, I check my work to see if it makes sense. Sometimes nothing I write is all that sensible, so I delete what I write and start over again. This is a rare occurrence, but it does happen.

After I come up with a reasonable draft, I scour it to check for misspellings, grammar usage, prose, etc. Many times I have the “bones” of the article, but it lacks “meat” or substance. In these particular cases I “flesh out” the article which usually involves refining sentence structure, clarifying a thought, swapping out words, or inserting or deleting entire sentences or paragraphs.

If I feel reasonably certain about what I wrote, I will do a final run through it to make sure it sits well with me. Occasionally, I put an article to the side and go do something else or I “sleep on it” and take a fresh look at the article the next day.

So, if you are having difficulty writing, simply get started. At least if you start your writing assignment you will have less to do later and you will no longer feel as if your undone article is some sort of albatross around your neck.

Now get started.

I rarely suffer from what writer’s complain about the most and that is: writer’s block. Oh, sure, if I must write on a subject that I am not familiar with, then a certain amount of trepidation and the occasional blankness will set in. Still, if I accept a project I do so believing that I know enough about the topic to produce a compelling piece. Writing isn’t difficult for most accomplished writers, but you must get started. Here are some things that help get me going:

If I am stuck, I write some sort of outline. Okay, maybe not a formal outline but something containing a topic sentence; 2, 3, or 4 main points; followed by a conclusion. As you can read there are three parts to any article: an introduction, the body, and a conclusion. Sometimes certain parts of the article I have more to write about than others. For example, I may have my main points for the body, but I don’t have the introductory part down just yet. No matter, I keep working on my outline until I get something solid.

Once I have all three pieces together, I start to write. Okay, I start to “type” as almost all of my writings are created from scratch via Microsoft Word. There was a time when I had to write on legal sized lined paper and then move it over to a word processor. No more. Today, I rarely “write” anything as I have gotten so accustomed to my laptop computer. Thanks, Dell!

When I am done writing, I check my work to see if it makes sense. Sometimes nothing I write is all that sensible, so I delete what I write and start over again. This is a rare occurrence, but it does happen.

After I come up with a reasonable draft, I scour it to check for misspellings, grammar usage, prose, etc. Many times I have the “bones” of the article, but it lacks “meat” or substance. In these particular cases I “flesh out” the article which usually involves refining sentence structure, clarifying a thought, swapping out words, or inserting or deleting entire sentences or paragraphs.

If I feel reasonably certain about what I wrote, I will do a final run through it to make sure it sits well with me. Occasionally, I put an article to the side and go do something else or I “sleep on it” and take a fresh look at the article the next day.

So, if you are having difficulty writing, simply get started. At least if you start your writing assignment you will have less to do later and you will no longer feel as if your undone article is some sort of albatross around your neck.

Now get started.

It may be the hope of all who have ever put pen to paper that they might be able to write on a full-time basis. The romantic notion of a writer’s life is compelling enough to many to find them seeking ways to make a living by crafting the written word.

David Boles is the publisher and Editor-in-Chief of Go Inside Magazine. Boles indicates his day starts at 8:00 a.m. and he rarely finishes writing until midnight. Boles has additional words of wisdom for new writers.

1. You will not get rich overnight

Some of Boles’ advice runs counter to the idealistic notion of what a writer’s life is supposed to be, “The best thing you can do to prepare yourself for the life of a writer is to make certain you have a steady form of income that will cover your monthly nut.”

2. Creativity may be overrated

Boles also indicates creativity is less about devising something altogether new and more about a willingness to find new ingredients for an old recipe, “There’s nothing new in the world and good writing is simply reinventing what has come before you in a new and delightful way.”

3. Muse cooperation is not optional

While many writers feel that creative inspiration is required if you are to write anything of meaning, Boles has a more pragmatic approach to writing, “Making yourself sit down and create is more important than the desire to write.”

4. An understanding spouse is worth their weight in gold

When you sit in front of your word processor for hours on end it may be difficult for others to see how what you are doing has much meaning, but Boles indicates if you are called to write you should, “Find someone who understands your need to write — for writing is a lonesome life and sharing that isolation with someone who unconditionally accepts your Calling is paramount to protecting your sanity and career.”

5. Writer’s Block

Boles has some very straightforward advice for those who may feel they are experiencing a season of writer’s block, “Write. Just write. There is nothing else.”

It should be clear that the life of a writer is not a pristine existence where creative thoughts are ever-present and publishers are always willing to publish your material. A writer’s life is hard work and rarely filled with instant gratification. However, for those who have experienced the call to write it is difficult to imagine a life lived any other way.

1. Don’t set yourself a writing routine or stick to it.

2. Always make sure that doing your writing is at the bottom of your list of priorities, and even when you are writing, if something else you have to do that day springs to mind, then go and do that instead.

3. If one of your friends comes round to invite you out for coffee, just go, no matter how busy you are with your writing.

4. Whenever you’re writing, answer the phone every time it rings and answer the door every time someone knocks.

5. Always feel guilty for doing your writing instead of doing what other people want you to do.

6. Don’t read any articles about writing, especially if it’s written by an expert.

7. If anyone ever tells you of a simple and profitable way to make money from your writing, don’t believe them and never try it.

8. Never take a writing course to hone your skills.

9. Don’t visit any writing sites on the internet, and never subscribe to their newsletters.

10. Don’t join any writer’s forums or participate in any online discussions.

11. Don’t get your own website to showcase your writing ability and writing services to the whole world.

12. Do everything you possibly can not to get your name known in the writing world.

13. Keep your work secret. Always put your writing away in a draw when you’ve finished and never show it to anyone &ndash especially editors and publishers.

14. Don’t enter writing competitions.

15. Don’t submit articles to paying websites.

16. Never even think about writing a book.

17. Especially don’t consider writing a profitable e-book.

18. They say you should write at least 5 article proposals or short stories every week. If you do write them, don’t mail them.

19. If a magazine or publisher offers specific guidelines for submissions, don’t follow them.

20. If an editor likes your work and publishes it, never offer to write for them again.

21. If you send in a query to an editor and don’t hear anything for a couple of weeks, start ringing them and don’t stop until they make a decision about whether or not to publish your work.

22. If one publication rejects your work, assume that it’s worthless and unsuitable for every other publication and don’t send it anywhere else.

23. Whenever you receive a rejection letter, take it personally and throw your work in the bin.

24. Never ever consider the possibility that, if your work’s written from a different angle, it could be suitable for another market and sold again.

25. And if all that doesn’t make you fail, you can always just give up writing.