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Few people understand the importance of a ROUTINE when making a pittance…er, I meant a living…as a writer. Where do you work? How do you work? When do you work? These are all questions a selling writer fields with every interview.

Here is the usual answer: I work wherever I am, as diligently as possible, as often as possible. This is my job and I must treat it as such or I will end up eating Oreos while watching Gilmore Girls.

Here is the real answer: Whenever I can’t think of something else to do…including watching Gilmore Girls.

Therefore, in order to write, I must create a routine&ndashaka, RUT&ndashso deep, so intractable, so unforgiving that I have no choice but to write. Sucks, but it’s true. No one (except maybe people whom I despise) actually LOVE writing. I love thinking about writing. I love having written. But the act of putting words to paper is a royal pain in the butt.

Therefore, I must create an environment where a royal pain in the butt is BETTER than the alternatives. In this way, writing is much like exercise. I mean I like the results, but do I really want to lift weights or run on a treadmill? Do I really want to find a new ways to write perky, kick-butt or find the right dialogue for scary villain guy? Heck, no. But I don’t get paid unless I write.

It takes three weeks to establish a habit. Therefore, the initial creation of aforementioned RUT begins with SET A DAILY TIME to create the groove. Write at the same time every day for three weeks. Could be for twenty minutes, could be for ten hours&ndashwhatever works for you.

Though I should say RUTS are really hard to create for ten hours. That’d be like waking up one day and saying, it’s time to run a 10k or put a wall around China. Possible, but do you really want to do that? Every day for three weeks?

Step two is to CREATE A DAILY GOAL. I choose a page count goal. I don’t get to nap or get a pedicure until I’ve written seven pages. One book it took me four months to have enough time for that spa visit. By the way, I recommend starting with a small daily goal then adding up. That’s much better than the way I did it of counting how many pages I need to write daily to make my contract. Panic also works wonders as an incentive, but I digress.

Many people set a timer for their daily goal&ndash30 minutes, two hours, whatever. Unfortunately, I’ve found that a timer only times the moments when I sit in my chair. It doesn’t actually encourage written pages because there’s lovely distractions like e-mail and internet blogs. And that leads to the next step.

Step 3 &ndash REMOVE DISTRACTIONS. I write in certain cafes specifically because they don’t have internet. I know people who have taken all games off their computer. Gasp! The alternative to this is to CREATE INCENTIVES. Bribery is alive and well in my rut-creation world. Finish two pages and then get CHOCOLATE! Whatever it takes. You may not be able to fit your hips into the author photo, but heck you’ll have published books that contain a lovely head shot!

Then finally&ndashCREATE A TRIGGER. You know that fabulous moment when the words flow and everything is right with your creative world? Well, me neither, but I swear we can prepare for those moments by creating a unique trigger to reinforce a writing zone. Scent is a powerful tool. During your three weeks, burn a beeswax candle.

Pretty soon, smelling beeswax will leap you into the creative zone. Not a candle fan or afraid you’ll accidentally set a contract on fire? Coffee works fabulous for me. Smell coffee, engage brain. Taste a soy latte&ndashyes, I really do drink those&ndashit’s time for serious writing! This works in the reverse, too. Taste Oreo? Get ready for Gilmore Girls. Feel sexy lingerie…well, you get the idea.

The ugly fact is that a writer’s life must be filled with self-discipline. If you’re short on that, then either give up on having a paying career as a writer or find a way to mire yourself deep in the writing rut. And who knows, sniff some caffeine and you might just end up on the best seller’s list.

Few people understand the importance of a ROUTINE when making a pittance…er, I meant a living…as a writer. Where do you work? How do you work? When do you work? These are all questions a selling writer fields with every interview.

Here is the usual answer: I work wherever I am, as diligently as possible, as often as possible. This is my job and I must treat it as such or I will end up eating Oreos while watching Gilmore Girls.

Here is the real answer: Whenever I can’t think of something else to do…including watching Gilmore Girls.

Therefore, in order to write, I must create a routine&ndashaka, RUT&ndashso deep, so intractable, so unforgiving that I have no choice but to write. Sucks, but it’s true. No one (except maybe people whom I despise) actually LOVE writing. I love thinking about writing. I love having written. But the act of putting words to paper is a royal pain in the butt.

Therefore, I must create an environment where a royal pain in the butt is BETTER than the alternatives. In this way, writing is much like exercise. I mean I like the results, but do I really want to lift weights or run on a treadmill? Do I really want to find a new ways to write perky, kick-butt or find the right dialogue for scary villain guy? Heck, no. But I don’t get paid unless I write.

It takes three weeks to establish a habit. Therefore, the initial creation of aforementioned RUT begins with SET A DAILY TIME to create the groove. Write at the same time every day for three weeks. Could be for twenty minutes, could be for ten hours&ndashwhatever works for you.

Though I should say RUTS are really hard to create for ten hours. That’d be like waking up one day and saying, it’s time to run a 10k or put a wall around China. Possible, but do you really want to do that? Every day for three weeks?

Step two is to CREATE A DAILY GOAL. I choose a page count goal. I don’t get to nap or get a pedicure until I’ve written seven pages. One book it took me four months to have enough time for that spa visit. By the way, I recommend starting with a small daily goal then adding up. That’s much better than the way I did it of counting how many pages I need to write daily to make my contract. Panic also works wonders as an incentive, but I digress.

Many people set a timer for their daily goal&ndash30 minutes, two hours, whatever. Unfortunately, I’ve found that a timer only times the moments when I sit in my chair. It doesn’t actually encourage written pages because there’s lovely distractions like e-mail and internet blogs. And that leads to the next step.

Step 3 &ndash REMOVE DISTRACTIONS. I write in certain cafes specifically because they don’t have internet. I know people who have taken all games off their computer. Gasp! The alternative to this is to CREATE INCENTIVES. Bribery is alive and well in my rut-creation world. Finish two pages and then get CHOCOLATE! Whatever it takes. You may not be able to fit your hips into the author photo, but heck you’ll have published books that contain a lovely head shot!

Then finally&ndashCREATE A TRIGGER. You know that fabulous moment when the words flow and everything is right with your creative world? Well, me neither, but I swear we can prepare for those moments by creating a unique trigger to reinforce a writing zone. Scent is a powerful tool. During your three weeks, burn a beeswax candle.

Pretty soon, smelling beeswax will leap you into the creative zone. Not a candle fan or afraid you’ll accidentally set a contract on fire? Coffee works fabulous for me. Smell coffee, engage brain. Taste a soy latte&ndashyes, I really do drink those&ndashit’s time for serious writing! This works in the reverse, too. Taste Oreo? Get ready for Gilmore Girls. Feel sexy lingerie…well, you get the idea.

The ugly fact is that a writer’s life must be filled with self-discipline. If you’re short on that, then either give up on having a paying career as a writer or find a way to mire yourself deep in the writing rut. And who knows, sniff some caffeine and you might just end up on the best seller’s list.

No Matter What

Jordana Ryan

Amira Press (2007)

ISBN 9781934475041

Reviewed by Paige Lovitt for Reader Views (5/07)

““No Matter What” is a very deep book. The characters have to deal with overcoming some very painful situations and emotions. This is the type of novel that you will want to read with your friends so that you can talk about it. It leads to a great deal of introspection and really makes you think about what it would be like to have faced everything that Cassandra has at such a young age. It is very hard to judge someone who has gone through so much. Enjoy this novel.”

Since age ten, Cassandra has had a difficult life. Leaving a candle burning in her home, her house burnt down and her parents died. Carrying the weight of blame and guilt at not having been the one to have died has affected all of Cassandra’s relationships. During her early teens she began dating Brenden. At seventeen, she discovers that she is pregnant. She doesn’t want to ruin Brenden’s future or be a further burden on those who have taken her in, so she runs away. Trying to raise her daughter as a single parent is really rough. Cassandra finds herself engaging in risky, promiscuous behavior as an escape, yet she finds that it just makes her life worse.

Four years after running away, Cassandra returns home to face the consequences of her decisions. She wants her daughter to have a good life and to know her father. Brenden and Cassandra have to struggle to get past the anger that he feels from her leaving him and not letting him know about his daughter. Cassandra has to deal with not feeling worthy of a man like Brenden. Other relationships also need healing.

“No Matter What” is a book about healing old wounds. Cassandra and Brenden both have to deal with serious consequences of actions that they have taken as a result of their grief from their past. Brenden’s own mother abandoned him at age five. When Cassandra left him, he did everything he could to avoid being in a committed relationship. He hurt a lot of women with his actions. He too must heal now.

“No Matter What” is a very deep book. The characters have to deal with overcoming some very painful situations and emotions. This is the type of novel that you will want to read with your friends so that you can talk about it. It leads to a great deal of introspection and really makes you think about what it would be like to have faced everything that Cassandra has at such a young age. It is very hard to judge someone who has gone through so much. Enjoy this novel.

No Matter What

Jordana Ryan

Amira Press (2007)

ISBN 9781934475041

Reviewed by Paige Lovitt for Reader Views (5/07)

““No Matter What” is a very deep book. The characters have to deal with overcoming some very painful situations and emotions. This is the type of novel that you will want to read with your friends so that you can talk about it. It leads to a great deal of introspection and really makes you think about what it would be like to have faced everything that Cassandra has at such a young age. It is very hard to judge someone who has gone through so much. Enjoy this novel.”

Since age ten, Cassandra has had a difficult life. Leaving a candle burning in her home, her house burnt down and her parents died. Carrying the weight of blame and guilt at not having been the one to have died has affected all of Cassandra’s relationships. During her early teens she began dating Brenden. At seventeen, she discovers that she is pregnant. She doesn’t want to ruin Brenden’s future or be a further burden on those who have taken her in, so she runs away. Trying to raise her daughter as a single parent is really rough. Cassandra finds herself engaging in risky, promiscuous behavior as an escape, yet she finds that it just makes her life worse.

Four years after running away, Cassandra returns home to face the consequences of her decisions. She wants her daughter to have a good life and to know her father. Brenden and Cassandra have to struggle to get past the anger that he feels from her leaving him and not letting him know about his daughter. Cassandra has to deal with not feeling worthy of a man like Brenden. Other relationships also need healing.

“No Matter What” is a book about healing old wounds. Cassandra and Brenden both have to deal with serious consequences of actions that they have taken as a result of their grief from their past. Brenden’s own mother abandoned him at age five. When Cassandra left him, he did everything he could to avoid being in a committed relationship. He hurt a lot of women with his actions. He too must heal now.

“No Matter What” is a very deep book. The characters have to deal with overcoming some very painful situations and emotions. This is the type of novel that you will want to read with your friends so that you can talk about it. It leads to a great deal of introspection and really makes you think about what it would be like to have faced everything that Cassandra has at such a young age. It is very hard to judge someone who has gone through so much. Enjoy this novel.

The press release bills this book as a love story, I disagree, it is a story about love. Specifically one man’s search for an everlasting love. We meet Wayne Cavanaugh as a sophmore attending the rather blue collar Drexel College where he is studying engineering. Through flashbacks author Rob Costelloe explores Wayne’s young life and his fascination with the concept of love. More specifically his quest to take love to a higher plane, an aesthetic that few people can appreciate, let alone achieve.

In a chance encounter following a purse snatching Wayne meets pretty Penn State junior Nancy Hammond. This launches Wayne off on his odyssey to find that elusive perfect love. Although he is convinced that Nancy is the one, and Nancy certainly reciprocates the feelings, they have many hurdles to cross, not least of which is the disparity in their social backgrounds. Nancy comes from a rich and influential family, while Wayne is from a very working class one. Of course this problem matters little to the young lovers, however their families and to a certain extent their friends are a whole different situation. Some view Wayne as an opportunist while others are less kind and lean towards thinking him a gold digger.

With grit and determination the couple weather the storms and as time passes most of the protagonists grudgingly accept the pair and their love for each other. The families though remain at loggerheads with their children. One thing that popped into my head while reading Coinage Of Commitment was had the roles been reversed with him being from an affluent family and her the poor country girl the relationship would have been viewed as charming, how strange our society is. We have become conditioned to a set of rules, or mores, and when we stray outside the boundaries the walls come up.

It is interesting to watch as this couple matures, Nancy gradually working on elevating Wayne’s social status, and Wayne while not openly resisting makes attempts, if not to actually stem the tide of change, at least slow its relentless progress.

The question is, is this perfect love, and can it last a lifetime? To discover the answer you will have to read the book. Rob Costelloe has created a very thought provoking book that plays on many levels. Part love story, part social commentary, and part exploration of one mans quest for perfection. The standard of the writing is of the highest quality. He states in his biography that he has been writing since he was 8 years old, and that does not surprise me, he is a skilled and splendid wordsmith.

The ending of the book comes with a very strange twist in the tale, and one that will surprise the reader.

About Rob Costelloe: After college, besides pursuing an engineering career in the Gulf Coast region, Rob Costelloe wrote more stories, a teeth-cutting, first novel, and a little poetry. By now, his interest focused on the question of what romantic love can achieve in people’s lives. To pursue this theme, he studied the work of many authors and filmmakers. He and his wife live near Houston, TX.

The press release bills this book as a love story, I disagree, it is a story about love. Specifically one man’s search for an everlasting love. We meet Wayne Cavanaugh as a sophmore attending the rather blue collar Drexel College where he is studying engineering. Through flashbacks author Rob Costelloe explores Wayne’s young life and his fascination with the concept of love. More specifically his quest to take love to a higher plane, an aesthetic that few people can appreciate, let alone achieve.

In a chance encounter following a purse snatching Wayne meets pretty Penn State junior Nancy Hammond. This launches Wayne off on his odyssey to find that elusive perfect love. Although he is convinced that Nancy is the one, and Nancy certainly reciprocates the feelings, they have many hurdles to cross, not least of which is the disparity in their social backgrounds. Nancy comes from a rich and influential family, while Wayne is from a very working class one. Of course this problem matters little to the young lovers, however their families and to a certain extent their friends are a whole different situation. Some view Wayne as an opportunist while others are less kind and lean towards thinking him a gold digger.

With grit and determination the couple weather the storms and as time passes most of the protagonists grudgingly accept the pair and their love for each other. The families though remain at loggerheads with their children. One thing that popped into my head while reading Coinage Of Commitment was had the roles been reversed with him being from an affluent family and her the poor country girl the relationship would have been viewed as charming, how strange our society is. We have become conditioned to a set of rules, or mores, and when we stray outside the boundaries the walls come up.

It is interesting to watch as this couple matures, Nancy gradually working on elevating Wayne’s social status, and Wayne while not openly resisting makes attempts, if not to actually stem the tide of change, at least slow its relentless progress.

The question is, is this perfect love, and can it last a lifetime? To discover the answer you will have to read the book. Rob Costelloe has created a very thought provoking book that plays on many levels. Part love story, part social commentary, and part exploration of one mans quest for perfection. The standard of the writing is of the highest quality. He states in his biography that he has been writing since he was 8 years old, and that does not surprise me, he is a skilled and splendid wordsmith.

The ending of the book comes with a very strange twist in the tale, and one that will surprise the reader.

About Rob Costelloe: After college, besides pursuing an engineering career in the Gulf Coast region, Rob Costelloe wrote more stories, a teeth-cutting, first novel, and a little poetry. By now, his interest focused on the question of what romantic love can achieve in people’s lives. To pursue this theme, he studied the work of many authors and filmmakers. He and his wife live near Houston, TX.

Every once in a while a writer comes along that demands we take notice; one that avails just the right meter, tempo, and rhythm; one that can engulf us in a story and keep us glued throughout 200 pages; one that offers a style sure to be emulated by his aspiring peers, both of his generation and generations to come.

Nelson Pahl is just that writer.

With simultaneous debut releases, entitled Bee Balms & Burgundy and Two for Tuesday, Pahl flexes a literary muscle short in supply today&ndashone that whispers, “legend in the making.”

Although the hardcover version of Bee Balms & Burgundy won’t hit stores until March, I had the pleasure of reading the pre-release, limited edition eBook version, which is available at .NelsonPahl.com and .IndieMill.com. There, you can even read a sample chapter, to whet your appetite.

Bee Balms & Burgundy is a charming story of latent lifelong love and the quest to conquer all that stands in its way. Nick May is a successful thirty-two-year-old entrepreneur living in Vancouver. He breaks off an explosive, distrusting eleven-month live-in relationship just before he travels home to St. Paul to see his widowed mother. The relationship leaves him cynical about love, to say the least. Once in St. Paul, he discovers next-door neighbor and lifelong pal Mia Lawson, 30, has a couple secrets she’s been dying to share with him. One, unbeknownst to Nick, is that she’s now a post-mastectomy breast cancer survivor, still hoping to conquer her disease. The second secret levels Nick even more.

Pahl not only delves into the oft-taboo topic of breast cancer with literary vigor, but he also revels in it, astutely capturing the female emotions attached to such a dreadful experience. The chemistry between his two main characters borders on the divine, as we ride along upon an always charming but sometimes heartbreaking chariot through Nicky and Mia’s sensual and ethereal yet trying world.

While Indie Nation Magazine bills the book as “…the best love story you’ll read this year,” I beg to differ, slightly; I’ll argue that it might be the best love story you ever read. Bee Balms courageously delves into a subject today’s “socially conscious” novelists won’t go near, and it treats the topic with grace, dignity, depth, and, yes, even endearing sensuality.

Pahl is a wonderful example of why some of America’s best writers now insist on writing for independent presses: A major publishing house would only shackle his rich and witty writing style and subdue his “outside-the-box” storytelling.

Yet, Pahl’s strict and uncommon literary discipline&ndashalong with his hand for sensuous descriptive writing and well-crafted dialogue&ndashmake him one of the very best writers in today’s fiction scene, indie lit or mainstream. His concise and fluid prose grip the reader from the onset, and then move him or her through the story with liberating ease and optimum intrigue. Through his articulate and warm first-person narrative, we see, feel, hear, smell, and taste everything; we live inside his fictional world; we are the characters.

Nelson Pahl’s writing style single-handedly restores my faith in today’s literature. Consider Bee Balms & Burgundy an essential inclusion to any A-list catalogue.

And, do yourself a favor: Say you read him before the world knew about him&ndashor, before he wins a Pulitzer.

Every once in a while a writer comes along that demands we take notice; one that avails just the right meter, tempo, and rhythm; one that can engulf us in a story and keep us glued throughout 200 pages; one that offers a style sure to be emulated by his aspiring peers, both of his generation and generations to come.

Nelson Pahl is just that writer.

With simultaneous debut releases, entitled Bee Balms & Burgundy and Two for Tuesday, Pahl flexes a literary muscle short in supply today&ndashone that whispers, “legend in the making.”

Although the hardcover version of Bee Balms & Burgundy won’t hit stores until March, I had the pleasure of reading the pre-release, limited edition eBook version, which is available at .NelsonPahl.com and .IndieMill.com. There, you can even read a sample chapter, to whet your appetite.

Bee Balms & Burgundy is a charming story of latent lifelong love and the quest to conquer all that stands in its way. Nick May is a successful thirty-two-year-old entrepreneur living in Vancouver. He breaks off an explosive, distrusting eleven-month live-in relationship just before he travels home to St. Paul to see his widowed mother. The relationship leaves him cynical about love, to say the least. Once in St. Paul, he discovers next-door neighbor and lifelong pal Mia Lawson, 30, has a couple secrets she’s been dying to share with him. One, unbeknownst to Nick, is that she’s now a post-mastectomy breast cancer survivor, still hoping to conquer her disease. The second secret levels Nick even more.

Pahl not only delves into the oft-taboo topic of breast cancer with literary vigor, but he also revels in it, astutely capturing the female emotions attached to such a dreadful experience. The chemistry between his two main characters borders on the divine, as we ride along upon an always charming but sometimes heartbreaking chariot through Nicky and Mia’s sensual and ethereal yet trying world.

While Indie Nation Magazine bills the book as “…the best love story you’ll read this year,” I beg to differ, slightly; I’ll argue that it might be the best love story you ever read. Bee Balms courageously delves into a subject today’s “socially conscious” novelists won’t go near, and it treats the topic with grace, dignity, depth, and, yes, even endearing sensuality.

Pahl is a wonderful example of why some of America’s best writers now insist on writing for independent presses: A major publishing house would only shackle his rich and witty writing style and subdue his “outside-the-box” storytelling.

Yet, Pahl’s strict and uncommon literary discipline&ndashalong with his hand for sensuous descriptive writing and well-crafted dialogue&ndashmake him one of the very best writers in today’s fiction scene, indie lit or mainstream. His concise and fluid prose grip the reader from the onset, and then move him or her through the story with liberating ease and optimum intrigue. Through his articulate and warm first-person narrative, we see, feel, hear, smell, and taste everything; we live inside his fictional world; we are the characters.

Nelson Pahl’s writing style single-handedly restores my faith in today’s literature. Consider Bee Balms & Burgundy an essential inclusion to any A-list catalogue.

And, do yourself a favor: Say you read him before the world knew about him&ndashor, before he wins a Pulitzer.

My publishing journey has been unusual enough that friends and publicists alike have suggested I write about it, especially the part about being a man writing love stories in a woman’s genre. But it’s not just the genre. The whole publishing and agency world I encountered was dominated by women. Sound interesting enough? Okay. There’s just one little hitch. Now that I’m sitting in front of the keyboard, I find that there’s not much to tell that’s dramatic. Most of the women editors treated me fairly, and I worked well with the ones who gave me room to turn in.

If anything, being a man may have given me a certain advantage, you know, from a novelty standpoint. Not only was I a male engineer (of all things!), with no detectable writing credentials, daring to show up with a love story, but I was touting it as a love story unlike any other, one written of love at a higher level. Well, at least it made them look up from their keyboards. Even from clear across the Internet’s vast ether, I could feel their skeptical smiles.

I did have advantages related to temperament. Women have always been my epitome of beauty, and I have long admired the feminine spirit and disposition, the nobility of her biological calling, the sophistication of her romantic instinct. As a result, I have always worked well with women. Plus I am grateful. Everything I ever learned about romantic love at a higher level I learned from a woman.

The other advantage I had was acquired: I had studied love stories for decades and I knew the intricacies and jargon of the genre. At one point, an editor who was intrigued by my sample chapters started an e-mail conversation that escalated to a phone discussion. I knew this was curiosity bringing opportunity to my door. She was a Romance novelist as well as a Romance editor, so I was nervous as I dialed her office number. I could tell that she was surprised then delighted to meet a man who could discuss nuances of love story plot and characterization ranging from risk factors in portraying heroines as less than physically perfect, to pet theories for best lead up to denouement. I knew before the conversation was over that she would offer a contract. Not only did I address some reservations she had about my characters, but I had done so in the professional jargon she knew. As a result, she knew she could work with me for the editorial portion of the project.

With all this said, let me offer an opinion based on what I experienced. To the question about whether the bar is higher for a man writing in this genre, I would say yes, at least in a certain sense. If you are a man who writes mediocre romances, then I think it will be harder for you to get published than a mediocre woman writer. But if you are a man producing material that matches the top ten percent of the genre, then the reservations that woman editors naturally have about you won’t matter. You will get the consideration you deserve. Know the audience you are targeting. That counts for a lot. And be sure you can defend the theory you have chosen for how you spun your characters and how you wove your plot.

Authoring as a Risk-Taking Endeavor

Being an unpublished novelist poses all sorts of dilemmas. Writing is entrepreneurial in nature, more than most people realize, and it is fraught with make or break decisions. Which side of the political spectrum do you show yourself? Do you embellish this or that social issue, perhaps the one most fashionable, or do you hide from them all?

If your goal is publication for its own sake, and you’ve decided to write, say, Gothic romance number 214,386, then you do need to follow the Gothic template. But you also need to make it stand out from most of the 214,385 Gothics that came before. The burden to distinguish is higher for unpublished writers because they have no track record to give their work advanced credibility or benefit of the doubt. Yet if the novice distinguishes herself too well, then her originality may be viewed as too risky in itself.

This need to balance risks even extends to things that look simple and straightforward on paper. Take the question of how good your manuscript should be before you query it. The reference books are all unanimous in urging that your manuscript should simply be the best you can make it before submitting it. But it’s not that simple in real life. First off, many amateur writers don’t know how good their writing is relative to their own potential. This is especially true if you are trying to achieve a literary end that’s new or different, say, push a new frontier in poetry, or achieve new levels of fright in horror.

In my own case, in writing Coinage of Commitment, I was bent on writing a love story unlike any other, a mainstream tale of love at a higher level. That made this project so different that even the style I adopted needed to be distinctive, a vivid way of expression that leads readers through the characters’ souls to glimpse romantic love at breathtaking heights. That’s not exactly stock stuff, making it risky to submit and hard to know when it was good enough to send out.

Not realizing what I was getting into, I polished the manuscript as best I could, then sent it out. Two months of querying later, when on a whim I sat down to reread it, I was shocked to discover that it was not the greatest love story ever written, something I suddenly discovered was important for me to achieve. Important enough that I pulled the ms off the market and sent it to not one but two independent editors in series. Three rewrites and seven months later, I resumed the query campaign. But by then, I wondered about the stability of my improvement progress.

Sure enough, despite best intentions, my writing ability kept jumping ahead of itself. I simply couldn’t keep my hands off the ms for wanting to make it better. That meant that the sample chapters I sent out kept changing. Even after the ms was accepted for publication, I could not quench my hunger for better prose. My publisher, Saga Books, in a fit of artistic benevolence, held the presses for the extra weeks it took me to equilibrate at deciding, finally, that I could not improve a single word.

Yes, I realize that this is an unusual account. But it shows that every publishing journey is bound to be unique. So when you read simple instructions like: submit only your best work, don’t be surprised if the path in execution is more tortuous than you ever dreamed it could be.