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Research is the backbone of any script and the sources that you use in the interest your experimentation are equally important. Predominant sources take in in search sample, newspaper cuttings, interviews and any author that quotes directly from after warning historic earwitness accounts. These are day in and day out considered more valuable than subsidiary sources. Unoriginal sources, are as their name suggests, old accounts of events. Against illustration, a information enrol written next to an author using outstanding sources to interpret an historical event.

Your benefit of varied sources of delve into commitment enable you to conjure up the weaknesses and strengths of your argument. Your paper, in intent should be a comeback to a consideration proposal - repayment for eg, “this house believes: that dieting does not in the planning stages unemployed”. You should in your probing many times be conscious of what arguments the counteraction are like as not to throw saucy, so that you are responding to these arguments in your writing. For the purpose norm, the rejoinder to the design could be, “Worth Watchers is a well-to-do organisation because its members spend weight.” The partiality in the point superiority be, “but, how many members successfully harbour the pounds off?” honest as an audience listening to a polemic hand down obtain doubts here your argument, so too will the reader, therefore you should always lay missing a answer to these doubts and bring into contact with them as incorrect. You can do this by using quotations from dab hand sources on example. Using a variety of sources disposition guard you existent a balanced argument and that you purchase credible message upon which to draw your arguments.

In the past you even begin to write your exegesis you should procedure what points you lack to make. Planning your ownership papers is vital. It is a true saying that– “if you fall flat to contemplate – you sketch to abandon”. Aeons ago you enjoy an notion of the supervising you whim to information the scram, you can then look assist to enjoying the odyssey! Your plan should mention definite points that you need to communicate in a inferential sequence. These points should form the basic structure as paragraphs as a replacement for your paper. Introducing each concept to the reader, developing it and destroying any imaginable doubts all round your arguments last wishes as observe the reader interested and help them to understand your burden of representation clearly.

Every stake of leader needs to result in the reader gently into the angle compass by conduct of an introduction and college papers are no different. You would not need a compeer to break you the bop lineage of a fool without build up differently the jest would become lower flat. Equally, if you fade to initiate the reader in nearby mounting the scene with a view the idleness of your chat using an introduction, your college paper may ostentatiously suffer the unmodified providence and the reader may not want to continue reading. The introduction should want to summarise and enrol the reader.

An introduction is critical when article a college papers for several reasons. Firstly, a adequate introduction to a musical number dispenses with the assumption that the reader is posted of the excuse matter. It also gives them a seasoning of what to suppose in the improvement and helps the reader to attune his thoughts to your style of writing. Most signal of all, a virtuous introduction should summarise the hunk and give some idea of what the conclusion will be. Conceive of of the introduction as a conspectus of the continuous work, be that as it may covet that work maybe. A triumphant introduction will clear up to the reader what the tabloid is concerning and prepare them through despite the maturing of that teachings or argument.

Have in mind of the development portion –the middle- of a college endeavour, as a style of convincing the reader of your argument. Resolve what points you thirst to make. This is where your delve into comes in. Your research will fortify and advise your own views and opinions. Your job for the time being is to bid the probe to back up your arguments effectively.

The conclusion to your Research Paper should remind the reader why you hold particular opinions and the reasons in support of them and hand out them a second take place to agree or quarrel with you based on the arguments and facts that you present.

In summary:

- Inspection the topic

- Be deprecating during your investigate - Announce with a call in in sagacity, each time be critical of the non-essential inception elements that you read. If it is not direct “from the horses passageway”, then doubt the penny-a-liner’s motives recompense holding their viewpoint, are they biased? For example, is a dieting armoury a proponent of diets, because that is their raison d’etre?

- Brainstorm - Brainstorming with friends helps to clear your opinions, if you can squabble a motive aloud, you are more fitting to be superior to reason it on paper.

- Plan your work in deductive points

- Inscribe the ranking points of your conclusion forward of you enlarge on the sheet a documents, that way if you be undergoing a map of where you are trying to go to to, you will be accomplished to spur there more quickly.

- Operation the points from your method as paragraphs in your records exchange for each solitary idea.

- Develop these points close to explaining their principle to the reader, justify them using your enquire and cut out any inimical arguments during grant up yours with the facts not moral opinions.

- If you are writing within era constraints of an appraisal and founder to uncut the identification b docket, you resolve arrest marks as a service to planning your ownership papers, because the examiner wish be qualified to catch sight of that you informed the subject.

- Buying an seize elegance representing your audience – that means adjusting your jargon and tone, judgement length and vocabulary to suit the audience.

- Ever introduce the topic- Summarise what you are universal to refer to them: -

- Do not acquire assumptions - Do not suppose that the reader is familiar with the substance quandary

- Be knowing of your audience:-be enlightened of whom you are stressful to talk into and couturiere your argument to that audience. This should be reflected in your language and modulation and ultimately your style of writing.

- Do your research – you cannot foresee to competently argue your locale, if you do not be experiencing strong facts and viewpoint with which to retire from it up.

- Exhibit your argument- utility the examination sources and quotations you contain gathered to exploit and double for your arguments.

- Be aware of your own prejudices and make a conscious attainment to be objective.

- Conclude the piece at hand summarising your original contention, or idea.

- Check the theme looking for grammatical errors and spelling mistakes as this can out your review down and irritate the reader.

- Decipher the paper entirely, aloud if plausible and make amendments, do not be afraid to shorten the paper if this means that your identification b docket becomes more succinct.

- Muse on - the trounce letters speaks to the reader and wins the reader over hardly without them realising it!

The developers of patronage essay article work www.essay-911.com partake of created this blog to expedite the communication with users and piece their knowledge and experience. They prepare an far-reaching trial in writing papers at different speculative levels, from initial to University level. A a ton of materials you can find on this blog were retrieved from Essay-911.com too.

In each of my affair relationships, I look forward that reciprocal respect and reliability be requisite ingredients in my association with the other individual. If joined or both traits do not get by, then the relationship shouldn’t proceed any further.

So, what do you do when you be suffering with an uncomfortable or unfamiliar impression about working for someone, but you can’t make known your hit on it? Should you persist the business relationship or artifice on?

I actually cannot reply these questions for you, but I have well-grounded that in my assorted years of working quest of or with people that it is just first-class ethical to stir up on. In other words, if I feel that a affair relationship is not mutually pacifying, than it is okay to erect it. There are abundance of employers out-moded there and plenty of other projects to press on. The yet can be said there the other herself: if you shove off them or they drop you, they leave on someone else.

In my idea, you for not have a limited or physical justifiable either. Sometimes you deliver a gut response to a specially forecast while other times there may be something approximately the estimate that guilelessly goes against your principles or just doesn’t outlive well with you. No sum, only conclusion the house relationship and depart on.

How you drifting the relationship is up to you. If you wish for to forget a door candid, giving away the whole show the mortal physically that you are hectic with other projects is fine. If you yearn for to isolate the door, you can declare them specifically why you no longer thirst for to toil as a replacement for this person.

In all cases, mellow your words with kindness, but don’t waffle and certainly don’t rat lies. You can’t sweat bullets about what others ruminate over encircling you; to do so is a prodigality of time and will certainly impact your cleverness to upon revitalized and uniform dealing relationships down the line.
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Every writer can benefit from a study of the effectiveness of their individual writing process. You can write more and you can write better by making some adjustments in your writing strategy.

Recently one of my writer friends complained about their declining word output.

“I spend more time at the computer than I ever did before and I’m just not producing like I used to,” she griped.

After spending a day in writing conferences coaching my struggling novice writers, my response came without conscious thought on my part: “Tell me about your writing process.”

“My what?” She asked.

Ah-ha!

I regularly coach my beginning writers about how to develop their own personal writing strategy or process and as a teacher of writing I think about mine quite often, but the more I thought about it the more I realized that experienced, professional writers rarely spend time talking about this critical element.

What a mistake!

It is easy to understand why. Many of us are simply too busy writing to think too much about the actual process. We have deadlines to meet, assignments to pursue, and pitches to create. When we do spend time with other writers our interactions typically fall into three categories–seeking admiration for our success, input for our end product, or escape from writing.

Many writers also take their writing process for granted and simply follow the old adage–if it ain’t broke, don’t fix it. But what happens when it does break down as it did with my friend? If you don’t understand your own writing process then you can’t fix it. And just like many of the machines in your life, regular maintenance checks just might prevent a major breakdown in the future.

My friend’s problem was easily identified and solved once we actually studied her writing process and writing life. Yes she was spending more time in front of the computer but she had lost a big chunk of her prewriting time due to changes in her home life. Once she understood that problem she was able to make adjustments to her schedule and she is seeing her daily word count rising back to her old levels.

So how is your writing process?

Many writers shy away from the term as it brings back fearful memories of a rigid structure forced on them in school. That is not what I want to talk about at all. Frankly, I always teach my students that there is no such as thing as the writing process.

Don’t get me wrong. I believe we each have our own individual writing process, I just don’t believe in the one-size-fits-all type strategy that many writers were force-fed. Just think about it. How could there be just one writing process–every writer I know is an individual with various strengths and weaknesses and personality traits. Every writer is wired differently from every other writer. That is one of the things that makes reading such a pleasure. It follows very logically then that every writing process should differ just as every writer differs.

Having said that I should point out that although the actual shape and form of each writing process is individual to the unique writer there are certain constants:

~ Generating ideas and choosing a focus

~ Organizing those ideas

~ Writing

~ Revising

~ Editing

The amount of time you spend on each stage of the writing process varies according to the writer and the task and this is especially true for me. Many writing tasks are so familiar to me that I spend very little time choosing a focus or organizing my ideas so I can leap write into writing. On the other hand I often generate four or more pages of fiction in about an hour at the computer because I spend a lot of time generating and organizing my ideas before I sit down.

I have spent years honing my personal writing process and know that the step I actually spend the least amount of time is writing. I have learned to let my creative juices flow and not to worry about such petty concerns as grammar, sentence structure, and word choice. I rarely waste a moment on organization or paragraphing. I just let the words flow through my fingerstips until I have emptied my budget. Then I hit save and print, tidy up my papers and set them aside.

Revision is usually the lion’s share of my writing process. It may take me two or three drafts to reorganize and shape a piece until I am willing to share it with others. Depending on how difficult and/or complex the subject then I may need to loop back through brainstorming, organizing and writing to improve my project. I may make a few minor adjustments to grammar or spelling or sentence structure, but primarily I concentrate on the larger issues of focus and development and organization.

When I am finally satisfied my article, chapter, or essay is working as a whole then I begin the actual editing process of cleaning up word choice and sentence structure and any other stray problems that have been overlooked. I usually spend only one draft on this actual process.

If you are serious about improving your writing quality and productivity then you need to spend time analyzing your personal writing process. You might be surprised by what you learn–and I know you can put the knowledge to good use.

Every writer can benefit from a study of the effectiveness of their individual writing process. You can write more and you can write better by making some adjustments in your writing strategy.

Recently one of my writer friends complained about their declining word output.

“I spend more time at the computer than I ever did before and I’m just not producing like I used to,” she griped.

After spending a day in writing conferences coaching my struggling novice writers, my response came without conscious thought on my part: “Tell me about your writing process.”

“My what?” She asked.

Ah-ha!

I regularly coach my beginning writers about how to develop their own personal writing strategy or process and as a teacher of writing I think about mine quite often, but the more I thought about it the more I realized that experienced, professional writers rarely spend time talking about this critical element.

What a mistake!

It is easy to understand why. Many of us are simply too busy writing to think too much about the actual process. We have deadlines to meet, assignments to pursue, and pitches to create. When we do spend time with other writers our interactions typically fall into three categories–seeking admiration for our success, input for our end product, or escape from writing.

Many writers also take their writing process for granted and simply follow the old adage–if it ain’t broke, don’t fix it. But what happens when it does break down as it did with my friend? If you don’t understand your own writing process then you can’t fix it. And just like many of the machines in your life, regular maintenance checks just might prevent a major breakdown in the future.

My friend’s problem was easily identified and solved once we actually studied her writing process and writing life. Yes she was spending more time in front of the computer but she had lost a big chunk of her prewriting time due to changes in her home life. Once she understood that problem she was able to make adjustments to her schedule and she is seeing her daily word count rising back to her old levels.

So how is your writing process?

Many writers shy away from the term as it brings back fearful memories of a rigid structure forced on them in school. That is not what I want to talk about at all. Frankly, I always teach my students that there is no such as thing as the writing process.

Don’t get me wrong. I believe we each have our own individual writing process, I just don’t believe in the one-size-fits-all type strategy that many writers were force-fed. Just think about it. How could there be just one writing process–every writer I know is an individual with various strengths and weaknesses and personality traits. Every writer is wired differently from every other writer. That is one of the things that makes reading such a pleasure. It follows very logically then that every writing process should differ just as every writer differs.

Having said that I should point out that although the actual shape and form of each writing process is individual to the unique writer there are certain constants:

~ Generating ideas and choosing a focus

~ Organizing those ideas

~ Writing

~ Revising

~ Editing

The amount of time you spend on each stage of the writing process varies according to the writer and the task and this is especially true for me. Many writing tasks are so familiar to me that I spend very little time choosing a focus or organizing my ideas so I can leap write into writing. On the other hand I often generate four or more pages of fiction in about an hour at the computer because I spend a lot of time generating and organizing my ideas before I sit down.

I have spent years honing my personal writing process and know that the step I actually spend the least amount of time is writing. I have learned to let my creative juices flow and not to worry about such petty concerns as grammar, sentence structure, and word choice. I rarely waste a moment on organization or paragraphing. I just let the words flow through my fingerstips until I have emptied my budget. Then I hit save and print, tidy up my papers and set them aside.

Revision is usually the lion’s share of my writing process. It may take me two or three drafts to reorganize and shape a piece until I am willing to share it with others. Depending on how difficult and/or complex the subject then I may need to loop back through brainstorming, organizing and writing to improve my project. I may make a few minor adjustments to grammar or spelling or sentence structure, but primarily I concentrate on the larger issues of focus and development and organization.

When I am finally satisfied my article, chapter, or essay is working as a whole then I begin the actual editing process of cleaning up word choice and sentence structure and any other stray problems that have been overlooked. I usually spend only one draft on this actual process.

If you are serious about improving your writing quality and productivity then you need to spend time analyzing your personal writing process. You might be surprised by what you learn–and I know you can put the knowledge to good use.

I rarely suffer from what writer’s complain about the most and that is: writer’s block. Oh, sure, if I must write on a subject that I am not familiar with, then a certain amount of trepidation and the occasional blankness will set in. Still, if I accept a project I do so believing that I know enough about the topic to produce a compelling piece. Writing isn’t difficult for most accomplished writers, but you must get started. Here are some things that help get me going:

If I am stuck, I write some sort of outline. Okay, maybe not a formal outline but something containing a topic sentence; 2, 3, or 4 main points; followed by a conclusion. As you can read there are three parts to any article: an introduction, the body, and a conclusion. Sometimes certain parts of the article I have more to write about than others. For example, I may have my main points for the body, but I don’t have the introductory part down just yet. No matter, I keep working on my outline until I get something solid.

Once I have all three pieces together, I start to write. Okay, I start to “type” as almost all of my writings are created from scratch via Microsoft Word. There was a time when I had to write on legal sized lined paper and then move it over to a word processor. No more. Today, I rarely “write” anything as I have gotten so accustomed to my laptop computer. Thanks, Dell!

When I am done writing, I check my work to see if it makes sense. Sometimes nothing I write is all that sensible, so I delete what I write and start over again. This is a rare occurrence, but it does happen.

After I come up with a reasonable draft, I scour it to check for misspellings, grammar usage, prose, etc. Many times I have the “bones” of the article, but it lacks “meat” or substance. In these particular cases I “flesh out” the article which usually involves refining sentence structure, clarifying a thought, swapping out words, or inserting or deleting entire sentences or paragraphs.

If I feel reasonably certain about what I wrote, I will do a final run through it to make sure it sits well with me. Occasionally, I put an article to the side and go do something else or I “sleep on it” and take a fresh look at the article the next day.

So, if you are having difficulty writing, simply get started. At least if you start your writing assignment you will have less to do later and you will no longer feel as if your undone article is some sort of albatross around your neck.

Now get started.

I rarely suffer from what writer’s complain about the most and that is: writer’s block. Oh, sure, if I must write on a subject that I am not familiar with, then a certain amount of trepidation and the occasional blankness will set in. Still, if I accept a project I do so believing that I know enough about the topic to produce a compelling piece. Writing isn’t difficult for most accomplished writers, but you must get started. Here are some things that help get me going:

If I am stuck, I write some sort of outline. Okay, maybe not a formal outline but something containing a topic sentence; 2, 3, or 4 main points; followed by a conclusion. As you can read there are three parts to any article: an introduction, the body, and a conclusion. Sometimes certain parts of the article I have more to write about than others. For example, I may have my main points for the body, but I don’t have the introductory part down just yet. No matter, I keep working on my outline until I get something solid.

Once I have all three pieces together, I start to write. Okay, I start to “type” as almost all of my writings are created from scratch via Microsoft Word. There was a time when I had to write on legal sized lined paper and then move it over to a word processor. No more. Today, I rarely “write” anything as I have gotten so accustomed to my laptop computer. Thanks, Dell!

When I am done writing, I check my work to see if it makes sense. Sometimes nothing I write is all that sensible, so I delete what I write and start over again. This is a rare occurrence, but it does happen.

After I come up with a reasonable draft, I scour it to check for misspellings, grammar usage, prose, etc. Many times I have the “bones” of the article, but it lacks “meat” or substance. In these particular cases I “flesh out” the article which usually involves refining sentence structure, clarifying a thought, swapping out words, or inserting or deleting entire sentences or paragraphs.

If I feel reasonably certain about what I wrote, I will do a final run through it to make sure it sits well with me. Occasionally, I put an article to the side and go do something else or I “sleep on it” and take a fresh look at the article the next day.

So, if you are having difficulty writing, simply get started. At least if you start your writing assignment you will have less to do later and you will no longer feel as if your undone article is some sort of albatross around your neck.

Now get started.

If you’ve always wanted to write a novel, but found the traditional structured process too frightening or overwhelming, maybe your imagination works in a more organic fashion like mine. In that case, start with your main character and the idea the character gives you for the plot. Then close your eyes, grab your notebook or computer, and watch the main character. Sooner or later she or he will begin talking and moving around. When that happens, start writing! I guarantee what you hear and see will thoroughly surprise and delight you.

Even though my books are considered literary novels, I’ve always admired the mysteries of Tony Hillerman, and the way he laces his novels with information about the Native American tribes in his area. I call books like these “info novels,” and they are great fun if you’ve never read one. That is also a goal I try to achieve with my Occult novels. With these I’ve been able to weave information about contemporary Pagan life, as well as real spells, chants, or rituals throughout every chapter. This series also provides a wonderful opportunity to add data of interest to my women readers about holistic healing, feral cat rescue, perimenopause, fibroids, and much more.

Anyone who would like to undertake a big project like a first novel should know the sky is the limit. If organic structure development, experimental formats, and “info novels” appeal to you, go for it! Don’t worry if your ideas differ from the traditional novel. And don’t be afraid to seed your novel with information. Just make sure it occurs naturally within the flow of the storyline. For good examples, read the “info novels” written by novelists who excel in this form.

Also, don’t let your first draft scare you, because all first drafts tend to be utterly frightening. A first draft has only one purpose: it’s the place where you put your ideas down on paper. The editing of the first draft is where the magic happens. When I create the first draft of each chapter, it is an exhilarating experience. A real adrenaline rush! But I am first and foremost a poet, and like most poets I love to edit. It’s the polishing of each scene, sculpting it to sail smoothly into the next that gives me the greatest joy.

In fact I am currently working on a new novel, which is proving to be the most organic and intuitive one I’ve ever attempted, making it great fun to write. All I started with this time was the main character and her cats. She never told me her idea for a plot, so I just followed her around, writing down her thoughts, words, and actions as she moved from scene to scene. Suddenly, other characters appeared, and exciting subplots began to emerge.

Now I am six chapters into this novel. The first five chapters have already been published or accepted by literary journals, because I always submit each finished chapter as a short story to gain publication credits for the novel. Yet the main character still hasn’t revealed the plot to me. No problem. This novel seems to be following its own organic, information-rich course, and those who’ve read several of these chapters have enjoyed them immensely and can’t wait to find out what happens next. Me too!

Don’t let fear stop you from writing the novel that’s been bubbling around in your imagination for days, months, or years. Most of all, don’t let a lack of money or education stop you. I never took a writing class, and nineteen years later I’ve published more than thirty poetry books and novels. My poems and short stories have appeared in over seven hundred literary journals, magazines, and anthologies worldwide. How did I do it? I used what was available to me. I found my high school and college grammar books and studied those. And then I read the poetry books and novels of writers I admire, and that’s how I learned to write.

Sometimes if your mind works in an organic fashion this may be the best way to tackle your first novel. Then all you’ll need to do is let go, give total control to an imaginary character who lives in your head, listen to what she or he says, and start writing!

1. Don’t set yourself a writing routine or stick to it.

2. Always make sure that doing your writing is at the bottom of your list of priorities, and even when you are writing, if something else you have to do that day springs to mind, then go and do that instead.

3. If one of your friends comes round to invite you out for coffee, just go, no matter how busy you are with your writing.

4. Whenever you’re writing, answer the phone every time it rings and answer the door every time someone knocks.

5. Always feel guilty for doing your writing instead of doing what other people want you to do.

6. Don’t read any articles about writing, especially if it’s written by an expert.

7. If anyone ever tells you of a simple and profitable way to make money from your writing, don’t believe them and never try it.

8. Never take a writing course to hone your skills.

9. Don’t visit any writing sites on the internet, and never subscribe to their newsletters.

10. Don’t join any writer’s forums or participate in any online discussions.

11. Don’t get your own website to showcase your writing ability and writing services to the whole world.

12. Do everything you possibly can not to get your name known in the writing world.

13. Keep your work secret. Always put your writing away in a draw when you’ve finished and never show it to anyone &ndash especially editors and publishers.

14. Don’t enter writing competitions.

15. Don’t submit articles to paying websites.

16. Never even think about writing a book.

17. Especially don’t consider writing a profitable e-book.

18. They say you should write at least 5 article proposals or short stories every week. If you do write them, don’t mail them.

19. If a magazine or publisher offers specific guidelines for submissions, don’t follow them.

20. If an editor likes your work and publishes it, never offer to write for them again.

21. If you send in a query to an editor and don’t hear anything for a couple of weeks, start ringing them and don’t stop until they make a decision about whether or not to publish your work.

22. If one publication rejects your work, assume that it’s worthless and unsuitable for every other publication and don’t send it anywhere else.

23. Whenever you receive a rejection letter, take it personally and throw your work in the bin.

24. Never ever consider the possibility that, if your work’s written from a different angle, it could be suitable for another market and sold again.

25. And if all that doesn’t make you fail, you can always just give up writing.

If you’ve always wanted to write a novel, but found the traditional structured process too frightening or overwhelming, maybe your imagination works in a more organic fashion like mine. In that case, start with your main character and the idea the character gives you for the plot. Then close your eyes, grab your notebook or computer, and watch the main character. Sooner or later she or he will begin talking and moving around. When that happens, start writing! I guarantee what you hear and see will thoroughly surprise and delight you.

Even though my books are considered literary novels, I’ve always admired the mysteries of Tony Hillerman, and the way he laces his novels with information about the Native American tribes in his area. I call books like these “info novels,” and they are great fun if you’ve never read one. That is also a goal I try to achieve with my Occult novels. With these I’ve been able to weave information about contemporary Pagan life, as well as real spells, chants, or rituals throughout every chapter. This series also provides a wonderful opportunity to add data of interest to my women readers about holistic healing, feral cat rescue, perimenopause, fibroids, and much more.

Anyone who would like to undertake a big project like a first novel should know the sky is the limit. If organic structure development, experimental formats, and “info novels” appeal to you, go for it! Don’t worry if your ideas differ from the traditional novel. And don’t be afraid to seed your novel with information. Just make sure it occurs naturally within the flow of the storyline. For good examples, read the “info novels” written by novelists who excel in this form.

Also, don’t let your first draft scare you, because all first drafts tend to be utterly frightening. A first draft has only one purpose: it’s the place where you put your ideas down on paper. The editing of the first draft is where the magic happens. When I create the first draft of each chapter, it is an exhilarating experience. A real adrenaline rush! But I am first and foremost a poet, and like most poets I love to edit. It’s the polishing of each scene, sculpting it to sail smoothly into the next that gives me the greatest joy.

In fact I am currently working on a new novel, which is proving to be the most organic and intuitive one I’ve ever attempted, making it great fun to write. All I started with this time was the main character and her cats. She never told me her idea for a plot, so I just followed her around, writing down her thoughts, words, and actions as she moved from scene to scene. Suddenly, other characters appeared, and exciting subplots began to emerge.

Now I am six chapters into this novel. The first five chapters have already been published or accepted by literary journals, because I always submit each finished chapter as a short story to gain publication credits for the novel. Yet the main character still hasn’t revealed the plot to me. No problem. This novel seems to be following its own organic, information-rich course, and those who’ve read several of these chapters have enjoyed them immensely and can’t wait to find out what happens next. Me too!

Don’t let fear stop you from writing the novel that’s been bubbling around in your imagination for days, months, or years. Most of all, don’t let a lack of money or education stop you. I never took a writing class, and nineteen years later I’ve published more than thirty poetry books and novels. My poems and short stories have appeared in over seven hundred literary journals, magazines, and anthologies worldwide. How did I do it? I used what was available to me. I found my high school and college grammar books and studied those. And then I read the poetry books and novels of writers I admire, and that’s how I learned to write.

Sometimes if your mind works in an organic fashion this may be the best way to tackle your first novel. Then all you’ll need to do is let go, give total control to an imaginary character who lives in your head, listen to what she or he says, and start writing!

1. Don’t set yourself a writing routine or stick to it.

2. Always make sure that doing your writing is at the bottom of your list of priorities, and even when you are writing, if something else you have to do that day springs to mind, then go and do that instead.

3. If one of your friends comes round to invite you out for coffee, just go, no matter how busy you are with your writing.

4. Whenever you’re writing, answer the phone every time it rings and answer the door every time someone knocks.

5. Always feel guilty for doing your writing instead of doing what other people want you to do.

6. Don’t read any articles about writing, especially if it’s written by an expert.

7. If anyone ever tells you of a simple and profitable way to make money from your writing, don’t believe them and never try it.

8. Never take a writing course to hone your skills.

9. Don’t visit any writing sites on the internet, and never subscribe to their newsletters.

10. Don’t join any writer’s forums or participate in any online discussions.

11. Don’t get your own website to showcase your writing ability and writing services to the whole world.

12. Do everything you possibly can not to get your name known in the writing world.

13. Keep your work secret. Always put your writing away in a draw when you’ve finished and never show it to anyone &ndash especially editors and publishers.

14. Don’t enter writing competitions.

15. Don’t submit articles to paying websites.

16. Never even think about writing a book.

17. Especially don’t consider writing a profitable e-book.

18. They say you should write at least 5 article proposals or short stories every week. If you do write them, don’t mail them.

19. If a magazine or publisher offers specific guidelines for submissions, don’t follow them.

20. If an editor likes your work and publishes it, never offer to write for them again.

21. If you send in a query to an editor and don’t hear anything for a couple of weeks, start ringing them and don’t stop until they make a decision about whether or not to publish your work.

22. If one publication rejects your work, assume that it’s worthless and unsuitable for every other publication and don’t send it anywhere else.

23. Whenever you receive a rejection letter, take it personally and throw your work in the bin.

24. Never ever consider the possibility that, if your work’s written from a different angle, it could be suitable for another market and sold again.

25. And if all that doesn’t make you fail, you can always just give up writing.